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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Making Of Chef Eric by Esteban Pacheco

December 20, 2013, 05:59 AM

http://www.3dtotal.com/index_tutorial_detailed.php...

Chef Eric is one of the 4 main characters of The Fine Diner, a final modeling project I did at school a few years ago. Since then, I've wanted to texture and render one of the characters and I decided to go with Chef Eric.

FCPX and Motion updated with Mac Pro

December 19, 2013, 10:58 AM

http://www.tuaw.com/2013/12/19/final-cut-pro-x-and...

Today is the day that the new Mac Pro goes on sale in most Apple stores across the globe. To prep for this big launch, Apple released an update to Final Cut Pro X that brings with it support for the dual GPUs in the Mac Pro; better handling of 4K content including titles, transitions and generators; and a long list of smaller features. The most significant feature for Mac Pro owners is the addition of 4K monitoring over Thunderbolt 2 and HDMI.

Apple’s New Mac Pro Is Now Available

December 19, 2013, 05:39 AM

http://finalcutprox.net/apples-new-mac-pro-is-now-...

The new Mac Pro is now available in the Apple Store after great anticipation. Shipping is December 30 and the most maxed out system costs $9599. Read More...

Monter un entretien

December 19, 2013, 05:38 AM

http://journaldunemonteuse.wordpress.com/2013/12/1...

Monter un entretien, ce n’est pas seulement résumer un discours, choisir des morceaux de pensées, ou assurer la continuité d’un propos. Monter un entretien c’est organiser une rencontre entre la personne qui parle et celle qui la regarde.  On organise … Lire la suite →

Apple’s New Mac Pro Is Now Available

December 19, 2013, 05:37 AM

http://finalcutprox.net/apples-new-mac-pro-is-now-...

The new Mac Pro is now available in the Apple Store after great anticipation. Shipping is December 30 and the most maxed out system costs $9599 and consists of 2.7 12-core with 30MB of L3 cache, 64GB 1866 DDR# ECC RAM, 1TB PCIe-based flash storage, and Dual AMD FirePro D700 GPUs with 6GB GDDR5 VRAM each.

Media Management is Biggest Change in FCPX

December 19, 2013, 05:34 AM

http://www.larryjordan.biz/app_bin/wordpress/archi...

Media Management drives editors nuts. Since the beginning of computer-based video editing, trying to remember where your media is stored is a never-ending battle between “getting it done,” and “doing it right.”

Post-Production and Deliver

December 19, 2013, 05:33 AM

http://blogs.creativecow.net/blog/13263/the-produc...

In this series, Biscardi Creative Founder, Walter Biscardi, Jr. "demystifies" the video production process. Particularly for corporate clients the production process can be both confusing and overwhelming. We walk you through the four steps of video production so you can be better prepared for your next production project.

Boom Times: The Wolf of Wall Street

December 18, 2013, 05:41 PM

http://www.fxguide.com/featured/boom-times-the-wol...

Rob Legato has a rich history of collaboration with director Martin Scorsese. He has worked as both a visual effects supervisor and second unit director on Scorsese’s The Aviator, The Departed, Shutter Island, Hugo (for which he won an Oscar) and now The Wolf of Wall Street. Along with visual effects producer Mark Russell, Legato oversaw more than 400 shots for the film, which centers on the life and times of New York stockbroker Jordan Belfort (played by Leonardo DiCaprio). We explore just so...

HARDWARE: Nuevo Mac Pro a la venta el 19 de diciem

December 18, 2013, 01:12 PM

http://www.finalcutpro.es/2013/12/hardware-nuevo-m...

(Nota de prensa) El nuevo Mac Pro estará disponible a partir de mañana CUPERTINO (California) —18 de diciembre de 2013—Apple ha anunciado que el completamente nuevo Mac Pro estará disponible para pedido a partir de mañana jueves, 19 de diciembre. Totalmente rediseñado, el nuevo e innovador Mac Pro incorpora los últimos procesadores Xeon de Intel, […]

Contenders – Editors Alfonso Cuarón and Mark Sa

December 18, 2013, 10:19 AM

http://www.btlnews.com/awards/contender-portfolios...

Editor Mark Sanger, with his background in both picture and visual effects editing, was the perfect collaborator to team with writer/director/editor Alfonso Cuarón on the auteur’s 3D space survival drama, Gravity, starring Sandra Bullock and George Clooney. Because the story takes place in earth orbit, the seamlessly realistic environment for the film needed to be crafted through a combination of animation and visual effects.

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