It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 17, 2013, 10:41 AM
http://www.artofvfx.com/?p=5665
2013 was a great year full of beautiful VFX movies. Congratulations to all the artists and teams for their work!
December 17, 2013, 04:19 AM
http://designingsound.org/2013/12/an-interview-wit...
In over 30 years working in sound, Foley artist John Roesch has amassed an impressive list of credits, including major films like “Inception” and “The Matrix” and games like “Final Fantasy X” and “Dead Space.” With over 400 credits to his name, John was awarded the MPSE’s Career Achievement Award earlier this year. I recently had the opportunity to sit down with John on his Foley stage on the Warner Brothers Studios lot in Burbank, California to talk about Foley, how he got int...
December 17, 2013, 04:19 AM
http://walterbiscardi.com/archiving-data/
In this digital media world, it’s imperative to not only have enough media array space to do your work, but also to store and protect that media for the long term. We’ve been using a very simple method going on four years now and in response to a question I actually got today, here’s […]
December 17, 2013, 04:18 AM
http://dylanreeve.com/videotv/2013/wipster-client-...
It’s been quite a while since I did a lot of work for varied clients. Way back then it was a constant pain to share our edits with clients and get their feedback. We were either sending DVDs or uploading files to places like YouTube, then exchanging emails. At the time I looked for better […]
December 17, 2013, 04:18 AM
http://www.awn.com/news/technology/ves-releases-st...
Los Angeles -- The Visual Effects Society (VES), the industry’s professional honorary society, has released a standardized interchange for camera reports, allowing essential visual effects information to be better captured and transferred through production into the post-production visual effects arena. The VES worked in collaboration with leading VFX companies for more than a year to standardize data fields and specify data transfer formats and create a new universal system for providing reli...
December 17, 2013, 04:17 AM
http://news.creativecow.net/story/873934
(Adelaide, South Australia--December 17, 2013) Producers are the unsung heroes of the visual effects industry. Working on the periphery, their contributions aren’t always acknowledged, but their role as project manager, budget overseer, client advocate and cheerleader to the visual effects team is essential to the success of the project. If artists are the gears that drive the visual effects engine, producers are the grease that allows the gears to turn smoothly.
December 16, 2013, 01:55 PM
http://www.hollywoodreporter.com/news/4-ways-spin-...
At times it felt like half of the entertainment world was given the boot in 2013. Now, a top town player (under cover of anonymity, of course) reveals what to say, and how to say it, after your abrupt au revoir.
December 16, 2013, 01:53 PM
http://motionographer.com/2013/12/16/main-road-pos...
Stalingrad is a Russian WWII drama directed by Fedor Bondarchuk. Main Road Post, headquartered in Moscow, is responsible for all the VFX work on this film.
December 16, 2013, 01:53 PM
http://blog.dvfanatics.com/2013/12/professional-vi...
In every community there are a number of resources that enable a video professional to keep abreast of what is going on in the video production community. These resources can be a valuable connection for the creative video professional, exposing them to new tips and techniques as well as other professionals with the same same skills.
December 16, 2013, 10:50 AM
http://www.askaudiomag.com/articles/5-essential-sy...
What makes a sound fat? You could say loud bass, but is that really all there is to it? Why is it that some synthesizers are massive and some sound thin? Darren Burgos explores the deeper synths.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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