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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making relative Adobe asset paths work in Post Has

January 26, 2018, 04:23 AM

http://www.digitalrebellion.com/blog/posts/making_...

If you're using Post Haste to create templates for your Adobe project files, you may have run into an issue where the project file still points to assets in their original location on disk, not relative to the template path. Here's how to get relative paths working: Create a new folder to temporarily store the files. Recreate the relevant folders from your template. So if you store video in a Media folder and the project file in a Projects folder, create those folders inside the new ...

Film Editor Tatiana S. Riegel, ACE, Explains How I

January 25, 2018, 07:59 PM

http://www.studiodaily.com/2018/01/film-editor-tat...

As she sat down to chat with StudioDaily for the Podcasts from the Front Lines series, editor Tatiana S. Riegel, ACE, was only a few days away from an Academy Award nomination for her work cutting together Craig Gillespie’s new film, I, Tonya. Having no idea that honor was coming her way on the heels […] The post Film Editor Tatiana S. Riegel, ACE, Explains How I, Tonya Came Together appeared first on Studio Daily.

Genelec’s intros The Ones series of near-field m

January 25, 2018, 01:07 PM

http://postperspective.com/genelecs-intros-ones-se...

Genelec is now offering point source monitoring with The Ones series, featuring their established 8351 three-way monitor along with the new 8341 and 8331. These small three-way coaxial monitors are housed in enclosures no larger than a traditional two-way Genelec 8040 or 8030. This coaxial driver design provides accurate imaging and improved sound quality, Continue reading → January 25, 2018 The post Genelec’s intros The Ones series of near-field monitors appeared first on Randi Altman...

Emerging LA Filmmakers Create Short Films with Sma

January 25, 2018, 01:07 PM

http://www.fcp.co/final-cut-pro/articles/2034-emer...

MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.

ACE Awards Honor ‘Breaking Bad’s’ Vince Gill

January 25, 2018, 10:28 AM

http://variety.com/2018/artisans/awards/ace-awards...

When American Cinema Editors holds its annual ACE Eddie Awards event on Jan. 26 at the Beverly Hilton hotel, three distinguished industry figures will take the stage to accept their well-deserved honors.

We are Ready for After Effects 15.0.1

January 25, 2018, 06:25 AM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hi folks - Today Adobe released an update to Adobe After Effects (version 15.0.1), that addresses some bugs and adds some new features. The post We are Ready for After Effects 15.0.1 appeared first on Red Giant.

Editor Carla Gutierrez on crafting "RBG"

January 25, 2018, 06:25 AM

https://www.provideocoalition.com/carla-gutierrez-...

Editor Carla Gutierrez recently completed work on the film RBG, a feature documentary about US Supreme Court Justice Ruth Bader Ginsburg. The documentary was produced by CNN Films, co-directed by Betsy West and Julie Cohen, and lensed by cinematographer Claudia Raschke. It debuted at Sundance 2018 and has garnered critical acclaim. While visiting the festival last weekend, I had a chance to sit down with Carla and talk through her process as editor of the film.

Digital Production Buzz – January 25, 2018

January 24, 2018, 06:29 PM

http://www.digitalproductionbuzz.com/2018/01/digit...

Whether it's a theatre stage or a movie set - there is so much more that goes into it than just putting pieces of wood together. Tonight we talk with designers or sets that are both physical and virtual. Join host Larry Jordan as he talks with Maxim Jago, Chuck Parker, Mark Reyes, Marti Romances, Jayse Hansen, and James DeRuvo. Report from the Sundance Film Festival The Art of Designing a Set Set Design for Nonprofessional Theater Make a Set Look Believable Creating Holographic and ...

Review: Blackmagic’s DaVinci Resolve 14 for edit

January 24, 2018, 06:29 PM

http://postperspective.com/review-blackmagics-davi...

By Brady Betzel Resolve 14 has really stepped Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab. Over the last two years, Continue reading → January 24, 2018 The post Review: Blackmagic’s DaVinci Resolve 14 for editing appeared first on Randi Altman's postPerspective.

Editorial Coverage From Chris Parkins For Sid Lee

January 24, 2018, 02:01 PM

https://roosterpost.wordpress.com/2018/01/24/edito...

The guy in the armor is back. Chris Parkins teams up with Untitled Films director Aleysa Young for an ‘Insure-vention’ on behalf of Sid Lee and Belair Direct. In the spot, an unsuspecting Dad learns how to save 20% by combining his insurance. Client: Belair Direct Title: Insure-vention Length: :60 Agency: Sid Lee Creative Director: Alexis […]

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