It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 26, 2013, 11:14 AM
https://www.videoguys.com/Blog/E/Review+Matrox+Mon...
The dual-stream use case--one for streaming, one for archive or other production--is very common in live production, and Matrox Monarch HD, a $995 compact standalone streaming/recording unit, appears to be the lowest-cost solution--and a highly competent one at that.
November 26, 2013, 11:14 AM
http://thedissolve.com/news/1000-the-naked-truth-a...
There’s been some confusion about exactly what Lars von Trier is releasing under the title Nymphomaniac: How much or how little nudity and explicit sexuality it will contain; how long or how short it will be; how many different cuts have been made from the raw footage. Recent reports stated that von Trier’s five-hour director’s cut would be trimmed to two two-hour halves for release in Denmark, a fact confirmed by producer Louise Vesth in a new interview with Screen Daily.
November 26, 2013, 11:13 AM
http://www.artofvfx.com/?p=5452
In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He’s back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD’S END.
November 26, 2013, 11:13 AM
http://ae.tutsplus.com/tutorials/motion-graphics/k...
We’re going to take a vector character drawing from Illustrator and rig it up using the script Puppet Tools 3. We’ll cover some tips on how to achieve realistic movement and then wrap up by building our sprite sheet to send on for game development.
November 26, 2013, 05:32 AM
http://animationguildblog.blogspot.ca/2013/11/walk...
I spent part of my afternoon at the Hat Building, where a lengthy Frozen trailer is on display on a large monitor in the entrance hall, and a lot of employees are taking Thanksgiving week off. ...
November 25, 2013, 06:33 PM
http://postperspective.com/2013/11/meet-the-techno...
NAME: Chris Dee @engincharge COMPANY: New York-based DeeTour Productions LLC CAN YOU DESCRIBE YOUR COMPANY? We serve the creative community with our technical expertise. We offer technical consulting on any kind of media production or technical project you can throw at us. From on-set production workflows to project management, through post to enterprise class consulting on technology […]
November 25, 2013, 06:32 PM
http://www.slashfilm.com/12-fun-facts-from-a-visit...
There’s one major downside to the way Adam McKay and Will Ferrell make movies. Eventually, they have to go through the footage and pick out one joke for any given moment. When making a film like Anchorman 2: The Legend Continues, the director and star shoot so much footage that, once they finally made it into the editing room, the difficult work finally began.
November 25, 2013, 06:32 PM
http://www.hitfix.com/motion-captured/adam-mckay-a...
The strategy for Adam McKay, Will Ferrell, and the comic collaborators of Anchorman 2 is to create a million choices for the editing department, so how do they build the final film out of that mountain of material? We took a trip to the editing room to find out.
November 25, 2013, 05:13 PM
http://www.deadline.com/2013/11/vfx-president-obam...
Barack Obama's visit to DreamWorks Animation tomorrow will be matched by a protest by the VFX professionals behind an anti-subsidy tariff campaign, but the
November 25, 2013, 05:13 PM
http://www.tvtechnology.com/article/the-workflow-o...
To meet an ever-expanding data storage agenda, the industry continues to create higher capacity hard drives to support larger pools of storage. Beyond those tangible solutions, familiar companies from Microsoft to Cisco to Amazon sell storage space for users to put their information into cloud-based repositories of an unknown scale. Entire industry sectors, not just broadcast, media and entertainment, encourage drive manufacturers to throw fuel on this uncontrollable fire.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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