It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 19, 2013, 10:55 AM
http://www.hollywoodreporter.com/behind-screen/hug...
In making Jean-Pierre Jeunet’s lastest film, The Young and Prodigious T.S. Spivet, stereographer Demetri Portelli was out to prove that 3D is creative, and that quality 3D footage could be shot on schedule and on budget. "3D is not just hitting a button in post," he told The Hollywood Reporter.
November 19, 2013, 05:13 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I had been shut up in these rooms a long time, when I told him that I wanted a little girl to rear and love, and save from my fate.” — Miss Havisham The Emmy-winning t...
November 18, 2013, 04:22 PM
http://www.hollywoodreporter.com/news/oscars-sound...
Skywalker sound's veteran sound designer/rerecording mixer Randy Thom has earned 14 Oscar nominations, winning Academy Awards for The Incredibles and The Right Stuff. His credits also include the Star Wars installments The Empire Strikes Back and Return of the Jedi, Flight, The Polar Express, How to Train Your Dragon, Forrest Gump, Ratatouille and a pair of Harry Potter films.
November 18, 2013, 04:22 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Post Magazine celebrated its 28th birthday with a party in NYC recently. The event brought together more than 200 professionals from the advertising, production and post production industries.
November 18, 2013, 04:21 PM
http://postperspective.com/2013/11/1067/?utm_sourc...
Cut+Run has added editor Stephen Berger to its staff. His addition is part of the company’s strategic growth over the past year, which includes expansion into San Francisco and Austin. Berger will be available to work from any of the Cut+Run (www.cutandrun.com) offices, including Los Angeles, New York, and London. “Stephen is known for his creativity and […]
November 18, 2013, 10:59 AM
http://www.indiewire.com/article/2014-oscar-predic...
The best original song race is always extremely difficult to call, particularly before the Academy releases their list of eligible options. Category rules often spell disqualification for many songs that seem like sure things. According to said rules, for example, a song should be "original and specifically written for a motion picture. There must be a clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyrics and melody, used in the body of the moti...
November 18, 2013, 10:58 AM
http://postperspective.com/2013/11/meet-the-superv...
NAME: Greg Hedgepath COMPANY: Formosa Group (www.formosagroup.com) CAN YOU DESCRIBE YOUR COMPANY? Formosa Group is a new post sound editorial company. The order of the day is to form a creative, collaborative, high-energy, environment where free exchange of techniques and tools used in creating sound for film post production can exist. WHAT’S YOUR JOB TITLE? […]
November 18, 2013, 10:58 AM
http://cuttingroomtales.wordpress.com/2013/11/18/r...
Deleted Scenes ☛ I’ve recently locked picture on the movie Sparks and Embers and it’s fallen to me to prepare the deleted scenes. As the editor, I work with the audience in mind so, when deciding which scenes to recommend including, I found myself wondering: what do people get from watching deleted scenes? To answer … Read more
November 18, 2013, 05:37 AM
http://www.animationmagazine.net/people/interview-...
The recent Pixar: 25 Years of Animation exhibit in Amsterdam attracted over 135,000 visitors. The popular show has now moved to the Art Ludique museum in Paris, and it will be on display there through March 2, 2014.
November 18, 2013, 05:34 AM
http://www.motionelements.com/blog/articles/eis-or...
We’ve all been in a situation where the perfect shot is right in front of you, but to get the shot involves getting into a strange position and holding your camera handheld. When you start shooting, you realize that no matter what you do, the footage you capture is always shaky. So what happens now? [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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