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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

He Shoots; He Cuts

November 6, 2013, 06:31 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

At first blush, it might seem unlikely that editors and cinematographers would have much to say about working with each other. Because of the bifurcated way in which most films and television shows are made, with production and post-production each functioning more or less independently, they seldom have occasion to work together on a one-on-one basis.

Audio Dexterity

November 6, 2013, 06:31 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

By day a forensic blood-pattern analyst for Miami’s Metro Police, Dexter Morgan (played by Michael C. Hall) is secretly a serial killer. Divorced from human emotion, Dexter nonetheless abides by a personal code: He only murders murderers who would otherwise go unpunished, as he tries to find humanity in himself.

The spies next door

November 6, 2013, 06:31 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. The New York-based editors of the FX Networks’ recently Emmy Award-nominated The Americans — Michael Berenbaum, A.C.E., Amanda Pollack and Daniel Valverde — are seeing differences, even as some of the...

Gravity - (Close Up) on Vimeo

November 6, 2013, 03:08 PM

http://vimeo.com/78623197

In this edition of our 'Close Up' series, we take an in-depth look at our 3D conversion work on 'Gravity', Alfonso Cuarón’s critically acclaimed, space-based thriller…

Kinokophone – Art & Field Recording

November 6, 2013, 03:08 PM

http://designingsound.org/2013/11/kinokophone-art-...

Kinokophone is an art collective with sound at it’s heart, producing interesting and unique sound installations and listening experiences.

AES 2013: How Neyrinck is Making Great Sound Easy

November 6, 2013, 03:08 PM

http://www.avidblogs.com/aes-2013-neyrinck-aax-plu...

The post AES 2013: How Neyrinck is Making Great Sound Easy in Pro Tools 11 appeared first on Avid Blogs.

Meet The Director/Editor: Chris Fenwick

November 6, 2013, 03:07 PM

http://postperspective.com/2013/11/meet-the-direct...

This director/editor saw Star Wars when he was 15, and his path led to where he is today. NAME: Chris Fenwick (www.chrisfenwick.com, @chrisfenwick) COMPANY: SLCE Editorial (http://www.sliceeditorial.com) and CAN YOU DESCRIBE YOUR COMPANY? SLCE Editorial caters to high tech and other fortune 100 companies in the San Francisco Bay Area. Primarily we are a Producer […]

Alex4D Note: iMovie (2013) = Unreleased version of

November 6, 2013, 11:12 AM

http://blog.alex4d.com/2013/11/06/imovie13-based-o...

Over at my main website I’ve written a note on what I’ve found inside the new version of iMovie. A version of Final Cut Pro X. A version with new features not yet found in 10.0.9. Go on over to Alex4D Notes for more.

Amazing Work by Light House 3D | Visualization & M

November 6, 2013, 11:12 AM

http://feedproxy.google.com/~r/deysonortiz/feed/~3...

Here is a link to some simply amazing 3D renders: Light House 3D | Visualization & Marketing. © Deyson for Deyson Ortiz, 2013. | Permalink | No comment | Add to del.icio.us Post tags:The post Amazing Work by Light House 3D | Visualization & Marketing appeared first on Deyson Ortiz.

CinemaDNG Post Production Workflows

November 6, 2013, 11:12 AM

http://www.premiumbeat.com/blog/cinemadng-post-pro...

New to working with CinemaDNG files? In this post we share useful info on production and post CinemaDNG workflows. Highlights include creating offline CinemaDNG proxies, grading CinemaDNG files and real-world case studies of CinemaDNG in action.

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