It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 15, 2018, 05:24 AM
http://www.fcp.co/final-cut-pro/articles/2031-2017...
If 2017 made you want to run into a movie theatre and hide, you aren't alone. Luckily, it’s been an exceptional year for the moving image. Toronto International Film Festival looks back at the moments that helped us maintain, find hope, and transform the way we see the world through film.
January 15, 2018, 05:24 AM
http://lappg.com/january-2018-photos/
” order_by=”sortorder” order_direction=”ASC” returns=”included” maximum_entity_count=”500″] And we’re off to a great start for 2018! January’s meeting was a great chance for members to double check that they are putting their best foot forward in the workplace this year with a presentation from LAPPG’s Woody Woodhall, CAS called, “Ten Tips for Successful Employment in Hollywood.” […] The post January 2018 Photos appeared first on lappg.
January 12, 2018, 01:59 PM
http://www.digitalproductionbuzz.com/2018/01/trans...
January 12, 2018, 01:58 PM
https://filmschoolrejects.com/myth-humanizing-woma...
I have mentioned one of my least favorite tropes—the Dead Wives Club/Avenge-the-Woman-Murderquest™—on several occasions over the past year or so, but I realized recently that I have never written an article for FSR fully dedicated to the subject.
January 12, 2018, 07:58 AM
http://www.btlnews.com/blog-the-line/contender-edi...
In the social satire, Downsizing, an everyman (Matt Damon) shrinks himself down to five inches in height so he can live a life of wealth and splendor, but instead discovers the true value in human relationships. Although this film was more visual effects heavy than the usual Alexander Payne film–and a lot […] The post Contender: Editor Kevin Tent Downsizing appeared first on Below the Line.
January 12, 2018, 07:57 AM
https://www.premiumbeat.com/blog/how-to-use-bezier...
While they were originally for designing automobiles, Bezier curves are now your best friends for keyframe interpolation.
January 12, 2018, 07:57 AM
https://journaldunemonteuse.wordpress.com/2018/01/...
Publicités Classé dans:Extraits vidéos, Métier monteuse
January 11, 2018, 05:24 PM
http://www.studiodaily.com/2018/01/film-editor-jon...
Justice is elusive in Three Billboards outside Ebbing, Missouri, the story of Mildred Hayes (Frances McDormand), a divorced mother seeking some kind of closure after the unsolved rape and murder of her daughter in a rural American small town. The billboards of the title carry a three-part message that the local Sheriff Willoughby finds hard to ignore, […] The post Film Editor Jon Gregory, ACE, on Three Billboards outside Ebbing, Missouri appeared first on Studio Daily.
January 11, 2018, 02:01 PM
https://www.provideocoalition.com/awesome-hue-samp...
This week on MacBreak Studio, I show Steve Martin from Ripple Training the differences between color sampling with color masks and hue curves in Final Cut Pro X.
January 11, 2018, 10:13 AM
http://www.btlnews.com/blog-the-line/contender-edi...
One of the finest elements about Aaron Sorkin’s directorial debut in Molly’s Game is the editing and how it is beautifully woven and interlaced together as it naturally flows with elegance and aura. The editing process is exceptionally powerful in shaping every movie. To achieve this level of grandeur, not one, not two, but three talented […] The post Contenders: Editors Alan Baumgarten, Josh Schaeffer, & Elliot Graham – Molly’s Game appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.