It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 12, 2017, 10:05 AM
http://www.avidblogs.com/making-the-cut-tony-crans...
The article Making The Cut: Tony Cranstoun, ACE — The Art Remains the Same by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
December 12, 2017, 06:26 AM
https://www.premiumbeat.com/blog/social-media-rede...
Social media’s heavy influence on video content has challenged the status quo regarding what constitutes a proper aspect ratio.
December 12, 2017, 06:26 AM
https://www.mandy.com/news/franklin-peterson-edito...
Franklin Peterson has edited a string of TV and film cult classics including Jurassic World director Colin Trevorrow's first theatrical feature film release Safety Not Guaranteed and the Golden Globe-winning hit television series Mr. Robot.
December 11, 2017, 06:27 PM
https://www.screeneditors.com.au/7383-2/
Audio Network Award for Best Editing in a Documentary Feature Brendan Shoebridge - co-winner with Harriet Clutterbuck ASE for 'The Bentley Effect'.
December 11, 2017, 06:27 PM
https://www.premiumbeat.com/blog/create-sub-mix-da...
Need to combine multiple audio channels into a single channel? Simplify your workflow with DaVinci Resolve 14's Fairlight Audio.
December 11, 2017, 06:27 PM
http://www.studiodaily.com/2017/12/review-digital-...
It goes without saying: Fewer shooters these days have any experience with film. Many ‘film’ schools have long since given up the filmic ghost. Indeed, throughout the industry, from commercials to entertainment, the digital world has completely taken over, which leads one to wonder if film references and ‘looks’ are still relevant at all. I […] The post Review: Digital Film Tools Film Stocks 3 appeared first on Studio Daily.
December 11, 2017, 12:51 PM
https://www.premiumbeat.com/blog/new-360-video-eff...
Check out the new Immersive Video effects in After Effects and Premiere Pro CC 2018 in this tutorial. Including free 360 footage!
December 11, 2017, 12:51 PM
https://www.premiumbeat.com/blog/online-video-edit...
Breaking into online video content? You'll need the right tools for the job. Check out how DaVinci Resolve 14 can save you time and money.
December 11, 2017, 05:15 AM
http://www.thepoweredit.com/the-ferrari-and-the-li...
There’s an idea that’s been floating around the editing world for a long, long time. It’s usually dropped on younger editors who are just starting out, or other storytellers who want to move forward creatively and just kind of feel stuck. It usually goes something like this: “You can’t teach editing. Creative editing can’t be … Continue reading The Ferrari and The Lie: You Can’t Teach Editing →
December 10, 2017, 01:45 PM
http://www.davidbordwell.net/blog/2017/12/10/patch...
Romance Joe (2011). DB here: Seeing Hong Sangsoo’s The Day a Pig Fell in the Well at the 1997 Hong Kong Film Festival didn’t convince me that he was a major talent. That happened two years later, when I saw The Power of Kangwon Province at the same event, and again at Cinédécouvertes in Brussels. […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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