Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

*Encerrados*, por Gustavo Macri (SAE)

July 23, 2018, 05:43 AM

http://saeditores.org/Novedades/Encerrados-por-Gus...

Una síntesis personal de la edición por sus artífices.

COLOUR GRADING WITH DANIEL PRINCIPE – SA

July 23, 2018, 05:43 AM

https://www.screeneditors.com.au/colour-grading-wi...

Editor and Colourist Daniel Principe will explain his process, philosophy and thoughts re all things colouring. Proudly presented by the ACS and ASE SA branches with FREE ENTRY FOR MEMBERS. Tuesday 31st July 6pm for 6:30 start SAFC - 1 Mulberry Road, Glenside, SA $5 for students & Other guild members. $10 general admission. Tix […]

Epic Games launches Unreal Engine 4.20

July 21, 2018, 08:17 AM

https://postperspective.com/epic-games-launches-un...

Epic Games has introduced Unreal Engine 4.20, which allows developers to build even more realistic characters and immersive environments across games, film and TV, VR/AR/MR and enterprise applications. Unreal Engine 4.20 release combines the latest realtime rendering advancements with improved creative tools, making it even easier to ship games across all platforms. Continue reading → July 20, 2018 The post Epic Games launches Unreal Engine 4.20 appeared first on Randi Altman's postPers...

Behind the Title: DigitalFilm Tree colorist Rick D

July 21, 2018, 08:17 AM

https://postperspective.com/behind-title-digitalfi...

NAME: Rick Dalby COMPANY: DigitalFilm Tree CAN YOU DESCRIBE YOUR COMPANY? I would describe DigitalFilm Tree (DFT) as a smaller, bleeding-edge, independently-owned post house that is capable of remote dailies, color and edit. I work with fellow colorists Dan Judy and Patrick Woodard. Continue reading → July 20, 2018 The post Behind the Title: DigitalFilm Tree colorist Rick Dalby appeared first on Randi Altman's postPerspective.

ART OF THE CUT with Ant-Man and the Wasp

July 21, 2018, 08:16 AM

https://www.provideocoalition.com/art-of-the-cut-w...

Craig Wood, ACE has worked on a list of hit films that put him in the upper echelon of blockbuster film editors: three of the Pirates of the Caribbean movies, both Guardians of the Galaxy movies (and probably the next one), Tomorrowland, Rango, A Cure for Wellness, and The Great Wall, among many others. His latest is Ant-man and the Wasp, co-edited with Dan Lebental.

Foley in the heart of Texas, with roots in Hollywo

July 19, 2018, 09:05 AM

http://designingsound.org/2018/07/19/foley-in-the-...

Susan Fitz-Simon (Boyhood / Last Flag Flying) is a veteran foley artist with over 20 years of experience in the industry. Susan is currently the lead foley artist at Soundcrafter, a post-production audio facility based in Austin, Texas.  Soundcrafter recently opened a state-of-the-art post-production facility, including a foley stage and prop room. ­We caught up […]

FALLEN KINGDOM: James D. Fleming (VFX Supervisor)

July 19, 2018, 09:05 AM

http://www.artofvfx.com/jurassic-world-fallen-king...

James Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD.

7 Old School Filmmaking Techniques That Still Defi

July 19, 2018, 06:05 AM

http://noamkroll.com/7-old-school-filmmaking-techn...

Cinematic language has evolved tremendously since the early days of film, but many of today’s most relevant filmmaking techniques originated in classic films…

Review: Maxon Cinema 4D R 19 — an editor’s per

July 18, 2018, 12:02 PM

https://postperspective.com/review-maxon-cinema-4d...

By Brady Betzel It’s time for my yearly review of Maxon’s Cinema 4D. Currently in Release 19, Cinema 4D comes with a good amount of under-the-hood updates. I am an editor, first and foremost, so while I dabble in Cinema 4D, I am not an expert. There are a few things in the latest release, Continue reading → July 18, 2018 The post Review: Maxon Cinema 4D R 19 — an editor’s perspective appeared first on Randi Altman's postPerspective.

MCU Countdown #19: Avengers: Infinity War

July 18, 2018, 12:01 PM

http://www.rotoscopers.com/2018/07/18/mcu-countdow...

This week we review the record-breaking Avengers: Infinity War, which unites the MCU's Avengers and Guardians of the Galaxy for the first time to stop Thanos from obtaining all the Infinity Stones.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.