It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 23, 2019, 01:07 PM
https://fxfactory.com/blog/effects-2/echoremover-2...
Plugin for removing echo from your videos and podcasts.
October 23, 2019, 01:07 PM
https://www.provideocoalition.com/lets-edit-with-m...
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media Composer. When editors think of Lens Flares, they think of JJ Abrams type lens flares that are more stylistic than anything. Lens Flares do add a stylistic look to your footage, but they can also be... The post Let’s Edit with Media Composer – Working with Lens Flare 3D appeared first on ProVideo Coalition.
October 22, 2019, 01:09 PM
https://www.provideocoalition.com/after-effects-cl...
3D Lighting is probably one of the more underused creative tools in Adobe After Effects. It’s not just for lighting complex 3D worlds; it can also be used to add “sexiness” to flat 2D sources such as videos. One of the more advanced 3D lighting tricks is “light transmission” – using the colors present in one... The post After Effects Classic Course: Light Transmission appeared first on ProVideo Coalition.
October 20, 2019, 01:49 PM
https://digitalfilms.wordpress.com/2019/10/19/stor...
Recently I’ve written about storage strategies designed to future-proof access to your files. Other than questions of whether future software can still play your files, the biggest issue is whether of not the media is playable at all in a number of years. Unfortunately, there are simply no guarantees. All media can and does fail. […]
October 19, 2019, 07:29 PM
https://www.screeneditors.com.au/blackmagic-design...
Blackmagic Design creates the world’s highest quality video and film products, including DaVinci Resolve, the standard for high end post production and finishing and the world’s only solution that combines professional 8K editing, color correction, visual effects and audio post production all in one software tool. www.blackmagicdesign.com/au
October 19, 2019, 07:29 PM
https://www.redsharknews.com/post/item/6725-can-yo...
Emmy Award Winning Editor Simon Smith discusses his workflow on Chernobyl and how it’s enabled working from home. ChernobylSimon SmithEditingAvid
October 19, 2019, 07:28 PM
https://www.studiodaily.com/2019/10/nab-show-ny-di...
Two cinematographers speaking on an NAB New York panel agreed that the mix of speed and precision required on a commercial set makes the DIT a valuable collaborator when setting the look of a given spot. But they differed, somewhat, on the exact nature of that collaboration. Joe DeSalvo, a New York-based DP who specializes in automobile […] The post NAB Show NY: Why the DIT Is Key to Success on Set appeared first on Studio Daily.
October 18, 2019, 08:15 PM
https://digitalfilms.wordpress.com/2019/10/05/shar...
I’m certainly no IT whizz, but as an editor and all-around “workflow guy,” I’ve used and done basic management of a number of different shared storage solutions, going all the way back to Avid MediaShare SCSI. Shared storage solutions, aka storage area networks (SAN), have evolved from SCSI connectivity to Fibre Channel (both copper […]
October 18, 2019, 08:11 PM
https://www.newbluefx.com/blog/selective-focus-til...
Part 17 of 24 • Powerful Tools for Forcing Focus • Wide Range of Edge Softness • Introduce Popular Tilt-Shift and Variable Focusing to Make Your Shots Pop The post SELECTIVE FOCUS & TILT SHIFT: A Change in Perspective appeared first on NewBlueFX.
September 30, 2019, 05:37 PM
https://www.redsharknews.com/production/item/6668-...
More affordable HDR displays were the name of the game at this year's IBC Show. DisplayAsusAtomos
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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