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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Premio EDA a Mejor Montaje en Tucumán Cine 2017

October 19, 2017, 09:52 AM

https://edaeditores.org/premio-eda-a-mejor-montaje...

Se entregó el premio EDA a Mejor Montaje en la competencia oficial del Festival Tucuman Cine Gerardo Vallejo. El premio fue una placa de distinción y un ejemplar del libro a Entre cortes. Conversaciones con montajistas de Argentina. Ganó el premio la montajista Valería Hernández, por su trabajo en el film chileno Mala Junta. El […]

Day 1 at Adobe Max

October 19, 2017, 09:51 AM

https://blogs.creativecow.net/blog/14731/day-1-at-...

This is my first MAX, and I naively looked at the map and my schedule and said "ah, this will be easy. It's like a fraction of the size NAB is, so I won't die!"

We Heard You: 3 User-Requested Improvements to Ill

October 18, 2017, 09:27 AM

http://blogs.adobe.com/creative/we-heard-you-3-use...

In the latest release of Illustrator, we’ve made numerous updates to improve your experience. Visit our release notes for a detailed rundown of all the additions with the latest release, but we’re most excited about user-requested improvements in three key areas: zoom to selection, asset export, and scripts. Zoom to Selection — or to Centre In the previous Illustrator release, we added the ability to zoom directly into your selected object. We’ve heard from some users on User Voice...

News: Blue Collar Post Collective (BCPC) to Presen

October 18, 2017, 05:21 AM

http://feedproxy.google.com/~r/industryhappenings/...

Source: News: Blue Collar Post Collective (BCPC) to Present Solutions for Diversity Programs at SMPTE Technical Conference

The Invisible Art of Editing?

October 17, 2017, 10:22 AM

https://cuttingroomtales.wordpress.com/2017/10/17/...

Invisible vs. high-profile editing   I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of … Continue reading →

SpeedScriber

October 15, 2017, 04:30 PM

https://digitalfilms.wordpress.com/2017/10/15/spee...

Script-based video editing started with Ediflex. But, it really came into its own when Avid created script integration as a way to cut dialogue-driven stories, like feature films, in Media Composer. The key ingredient is a written script or a transcription of the spoken audio. This is easy with a feature that’s been acted according […]

Se presentó el libro “Entre cortes” en Córdo

October 15, 2017, 04:30 PM

https://edaeditores.org/se-presento-el-libro-entre...

Se realizó la presentación del libro “Entre cortes. Conversaciones con montajistas de Argentina en Cordoba en el marco de Cortópolis 2017 Contamos con la presencia de la montajista Alejandra Almirón (EDA), editora de los documentales “La chica del sur”, “Los rubios” y “Yo no sé qué me han hecho tus ojos” entre otros. También expusieron […]

Power Dynamics Below the Line

October 13, 2017, 03:52 PM

https://blogs.creativecow.net/blog/14729/power-dyn...

If you’re anywhere near Hollywood this week, you’ve got a hot take on Harvey Weinstein. I’ve only been here a few years, exclusively “below the line”, and I heard all the rumors too. I dreaded ever having even secondhand contact with the man and his company: a powerful star maker with the ability to squash any career he chose, a blatant chauvinist, and an indecent human being whose participation in the entertainment industry seemed immoveable.

The Importance of Being Ernest: A Title Design Ret

October 12, 2017, 05:44 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...

Testing Logickeyboard's Illuminated Final Cut Pro

October 11, 2017, 11:56 AM

http://www.fcp.co/final-cut-pro/articles/2006-test...

We love to test hardware and software here at FCP.co. So when a new backlit Astra Final Cut Pro X keyboard from Logickeyboard arrived, it didn't stay in the box for long.

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