It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2014, 07:59 PM
http://blog.dolby.com/2014/02/mobile-world-congres...
As the small screens of phones and tablets increasingly become our theatres for movies, music, sports, and games, sound plays a vitally important role in ensuring that the content retains the emotional depth that makes it effective.
February 25, 2014, 01:42 PM
http://www.onscreenasia.com/article/ai-exclusive-i...
Singaporean sound designer, re-recording mixer and foley artist Ting Li LIM put Singapore on the map in the sound and music editing industry recently when she won the Verna Fields Award in Sound Editing at the MPSE Golden Reel Awards in Los Angeles held on February 16, 2014. She was nominated for her work in the student film Robomax. At the same awards, Wong Kar Wai's The Grandmaster also won Best Sound Editing: Sound Effects, Foley, Dialogue & ADR in a Foreign Feature Film.
February 25, 2014, 10:57 AM
http://designingsound.org/2014/02/whoosh-review/
In the last year, we’ve all been happy to see the slow emergence of software tools designed explicitly for sound design. The fine folks over at Tonsturm are the latest to release one such tool under the moniker Melted Sounds. Whoosh is a Reaktor based plug-in for designing, as implied by its name, complex and varied motion elements and pass-bys.
February 25, 2014, 10:55 AM
http://sportsvideo.org/main/blog/2014/02/the-sound...
As a sport, curling dates back to the early 16th century, and the pace and strategizing of “chess on ice,” as it has been dubbed, have remained relatively unchanged since then. But at the Sochi Olympics, one aspect of it got a lot speedier.
February 25, 2014, 10:54 AM
http://www.hollywoodreporter.com/news/frozen-compo...
"Comedy is different all over the world," says Robert Lopez, who shares an Oscar song nomination with wife Kristen Anderson-Lopez for "Let It Go" from Frozen. So he is grateful that the animated hit's 41 foreign-language versions are not his problem, but that of Disney Character Voices International senior vp creative Rick Dempsey, responsible for translating Disney's films. "We were floored when we heard the compilation of 'Let It Go' in all those different languages," says Lopez. "It sounded p...
February 25, 2014, 07:08 AM
http://www.cp24.com/entertainment-news/movie-tv-ne...
Toronto-raised sound engineer Andy Koyama's road to the Oscars began as a child in his mother's basement with a guitar, makeshift drums and dreams of shredding in stadiums.
February 24, 2014, 11:04 AM
http://www.btlnews.com/awards/cinema-audio-society...
The Cinema Audio Society (CAS) celebrated the top sound mixers and technical achievers of 2013 at its 50th annual awards ceremony, Saturday, Feb. 22. The top honor in the motion picture live action category went to Gravity, which also won big at the 61st MPSE Golden Reel Awards for its sound effects and foley editing. Frozen received the award for best sound mixing in an animated motion picture, with CAS president David Fluhr among those accepting the award as one of the film’s re-recordin...
February 24, 2014, 05:52 AM
http://www.asoundeffect.com/game-audio-4-golden-ru...
There’s a gap between the creation of a sound and its playback. From creation to reproduction, from microphone to speaker, there are countless steps that must be taken in order to realize our craft as sound designers.
February 23, 2014, 08:36 AM
http://logic-pro-expert.com/logic-pro-blog/2014/02...
Here are the Sunday Reads for February 23, 2014 on Logic Pro Expert.
February 22, 2014, 06:58 AM
http://www.hitfix.com/in-contention/oscars-lowdown...
In the lead-up to the 86th annual Academy Awards on March 2, HitFix will be bringing you the lowdown on all 24 Oscar categories with multiple entries each day. Take a few notes and bone up on the competition as we give you the edge in your office Oscar pool!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.