It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 30, 2014, 09:27 AM
http://www.creativebloq.com/audiovisual/6-movie-st...
This feature is brought to you in association with Masters of CG, a new competition that offers the chance to work with one of 2000AD's most iconic characters and win an all expenses paid trip to the SIGGRAPH conference. Find out more at the end of this article...
June 30, 2014, 04:29 AM
http://www.fxguide.com/featured/age-of-extinction-...
With three Transformers films already under visual effects studio Industrial Light & Magic’s belt, Age of Extinction still managed to be eclipse them all in terms of effects shots, shooting locations, crew size, stereo delivery and sheer scale.
June 29, 2014, 01:54 PM
http://cinefex.com/blog/tracks/
Add these things together and what you get is Tracks. Adapted from the book by Robyn Davidson and directed by John Curran, Tracks tells the true story of one woman’s trek across the Australian outback. Accompanied by four camels and a dog – and observed by National Geographic photographer Rick Smolan through his camera lens – Davidson endures hardship and finds inspiration in the one of the most unforgiving environments on Earth.
June 26, 2014, 12:20 PM
http://provideocoalition.com/adobe/story/capturing...
When we last spoke with Graham Elliott he was just starting work on his next film, World In Motion, which he describes as, “a documentary film series that explores the dynamic connection between location and expression.” Since that time, Elliott has taken two trips to Brazil, the...
June 26, 2014, 09:30 AM
http://www.artofvfx.com/?p=8352
Greg Butler began his career in the visual effects more than 20 years ago at ILM. He then worked in several studios like Tippett Studio, Weta Digital and MPC. He has worked on many projects such as FORREST GUMP, THE MASK, the LORD OF THE RINGS trilogy or JACK THE GIANT SLAYER.
June 24, 2014, 07:37 AM
http://www.dvinfo.net/uncategorized/noise-sampling...
I’ve done a lot of testing with the Sony F55, and I’ve shot a couple of 4K projects in XAVC, but until recently I hadn’t used this camera for green screen. Sony’s implementation of XAVC uses 4:2:2 sampling, which can cause a lot of problems for green screen compositing, so when I got a call Read More
June 23, 2014, 09:02 AM
http://www.creativebloq.com/audiovisual/vfx-artist...
This feature is brought to you in association with Masters of CG, a new competition that offers the chance to work with one of 2000AD's most iconic characters and win an all expenses paid trip to the SIGGRAPH conference. Find out more at the end of this article...
June 22, 2014, 09:57 PM
mocha’s 2.5D planar motion tracking engine accurately follows translation, scale, rotation, skew and perspective. Unlimited tracking layers can handle reflections,…
June 22, 2014, 03:31 PM
http://www.indiewire.com/article/television/why-yo...
If you don't pay attention to the video game industry, now might be the time to start.
June 20, 2014, 10:29 PM
http://postperspective.com/five-tips-vfx-supervisi...
By Hasraf “HaZ” Dulull I’ve been on many sets over the course of my career as a visual effects supervisor and I’ve seen just about everything, from full on greenscreen sets, motion control sets, high-speed photography elements shoots and even guerrilla-style handheld shoots that needed visual effects added later in post. Although most projects are unique in […]The post Five tips for VFX supervising on set appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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