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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

6 new podcast episodes worth hearing Fantastic Fo

January 11, 2022, 08:43 AM

https://www.asoundeffect.com/great-new-podcasts-fo...

Bernard Gariépy Strobl, David McCallum & Steve Fanagan join the Tonebenders Podcast to talk about new sci-fi film 'Swan Song' and tell us how they came together as a team when none had ever met before. They also talk about the challenge of designing UI sounds for the near future and the unique schedule for the film's post production.

Dune and the Audio History of Cinema

January 10, 2022, 09:58 AM

https://raindance.org/dune-and-the-audio-history-o...

Blackmagic Design released a new and free series of training videos for DaVinci Resolve 17. Divided into four sections – Edit, Color, Fairlight, and Fusion – the training provides more than 17 hours of content. Created with the help of Blackmagic certified DaVinci trainers, the course also provides example projects and media to follow the workflow and practice skills.

How VFX artists got a chance to revisit the Matri

January 10, 2022, 09:58 AM

https://beforesandafters.com/2022/01/09/how-vfx-ar...

Behind DNEG’s visual effects for the return to the real world in ‘The Matrix Resurrections’.

Montageforum 12012022 Filmuniversitt Babelsber

January 10, 2022, 09:57 AM

https://montageforum.wordpress.com/2022/01/09/mont...

In „BILDER (M)EINER MUTTER“ erzählt die Regisseurin das tragische Leben und Scheitern ihrer Mutter. Mit über 100 Stunden Super8 – und Videomaterial des Vaters rekonstruiert sie von der jungen Liebe ihrer Eltern in den 70er Jahren, über deren Familiengründung letzendlich den Zerfall der Familie. Im Privaten sowie im Poltitischen reist der Film durch die Jahrzehnte und dokumentiert die innere Zerissenheit einer Frau, deren Suche nach Selbstverwirklichung exemplarisch für das Lebensgefü...

King Richard Editor Pamela Martin On Making

January 7, 2022, 08:50 AM

https://deadline.com/video/king-richard-editor-pam...

When editor Pamela Martin first met with director Reinaldo Marcus Green for Warner Bros.’ sports drama King Richard, her first questions concerned strategy in cutting tennis scenes.

Composer Tim Davies on Netflix’s Maya and the Three

January 6, 2022, 01:08 PM

https://postperspective.com/maya-and-the-three-com...

Creator/director Jorge R. Gutiérrez’s Maya and the Three is an animated Netflix series that tells the story of Maya (Zoe Saldana), a warrior princess in pre-colonial Mesoamerica. To save her family and humanity, she fights alongside three legendary warriors in an effort to defeat the gods of the underworld. While we recently spoke to the audio post team on the series, Continue reading → January 5, 2022 The post Composer Tim Davies on Netflix’s Maya and the Three appeared first on ...

Last Night in Soho Editor Paul Machliss

January 5, 2022, 08:48 AM

https://postperspective.com/last-night-in-soho-edi...

By Oliver Peters Over the years, Edgar Wright has written and directed a string of successful comedies and cult classics. His latest, Last Night in Soho, is a suspense thriller that would make Hitchcock proud. Eloise (Thomasin McKenzie) is a young English country girl who has moved to the Soho area of London to study fashion design. Continue reading → January 4, 2022 The post Last Night in Soho Editor Paul Machliss appeared first on postPerspective.

Academy Award For Best Film Editing — Top 20 Winners Ranked

January 4, 2022, 09:28 AM

https://www.studiobinder.com/?p=117848

There is a saying: the best film editing is the editing that nobody notices. Though there are exceptions, this is pretty widely accepted as truth for the most part. So if good editing purposely avoids standing out, how are the nominees and winners of the Best Film Editing Oscar picked out and decided? The editing style of a particular film is at the behest of the story being told and the style of the director telling it. Continue reading Academy Award For Best Film Editing — Top 20 Winners Ran...

Cut To The Monkey by Roger Nygard – A Film Editor’s Review

January 4, 2022, 09:27 AM

https://jonnyelwyn.co.uk/film-and-video-editing/cu...

Every editor should read Cut To The Monkey, by Curb Your Enthusiasm and Veep editor, Roger Nygard. Your command of your career and your craft will improve as a result! Here's my in-depth review. The post Cut To The Monkey by Roger Nygard – A Film Editor’s Review first appeared on Jonny Elwyn - Film Editor.

Dune Supervising Sound Editors Mark Mangini and Th

January 4, 2022, 09:26 AM

https://www.btlnews.com/crafts/sound/dune-mangini-...

The latest adaptation of Dune, based on the novel by Frank Herbert, is an epic and immersive sci-fi from the creative mind of director Denis Villeneuve (Blade Runner 1949, Arrival). The film features Timothée Chalamet as Paul Atreides, the son of Duke Leto (Oscar Isaac) and Lady Jessica (Rebecca Ferguson). The Atreides family journeys to the desert world of Arrakis in order to accumulate spice and attempt to form a partnership with the planet’s inhabitants known as the Fremen.

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