It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2014, 09:57 AM
http://www.artofvfx.com/?p=8060
Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.
May 30, 2014, 04:38 AM
http://www.animationmagazine.net/top-stories/every...
I doubt that anyone is surprised that X-Men: Days of Future Past opened huge and promises to become one of the biggest hits of the year. Neither, most likely, is anyone surprised that the superheroics are still working, and the cast can still fit into the costumes fourteen years after the first X-Men movie appeared. The surprising thing about the present mega-success of X-Men, for those not familiar with its 50-year history, is that at one point the series that would become Marvel’s most popul...
May 30, 2014, 04:35 AM
http://www.redsharknews.com/business/item/1723-don...
A blurry, black and white, indistinct video doesn't prove anything. Still less that we're being visited by aliens! UFOSpace shuttleAliensAlien invasion
May 29, 2014, 04:26 PM
http://www.filmmakerspot.com/free-green-screen-foo...
The list of free green screen footage downloading websites which give you royalty free stock footage for your short film projects or movies. Footage Island Free footage for your private and commercial Projects. They provide green screen flag animation, logo animation, Surveillance Security Camera Monitor, Real TV Static Distortion, Shooting Range Targets, Money Carpet, Black Magic Cloud Shutter, LIVE News Flash and Fractures […] The post 25 Websites to Download Free Green Screen V...
May 29, 2014, 02:41 PM
http://www.behindvfx.com/post/87213008440/behind-v...
Delacourt: “I’m interested in something much larger. This habitat is dying. There is a political sickness inside of it. A tumor that needs to be removed. You and your company are in need of revenue… that is dying up. So… you built the torus. Can you override the servers and place a new president in power?”
May 29, 2014, 09:56 AM
http://filmmakeriq.com/2014/05/a-vfx-breakdown-of-...
Check this previously unreleased VFX Breakdown made for Iron Man 3 by Digital Domain.
May 29, 2014, 09:55 AM
http://www.artofvfx.com/?p=8046
Félix Bergés is in visual effects industry for nearly 30 years. He worked on very many projects and oversaw the effects of films such as THE OTHERS, AGORA, THE IMPOSSIBLE or THE END.
May 28, 2014, 02:28 PM
http://www.cgmeetup.net/home/iron-man-3-barrel-mon...
In order to capture the barrel of monkeys footage, Black and his VFX supervisor, Chris Townsend, decided to film the scene with live actors free-falling for maximum realism.
May 27, 2014, 12:14 PM
http://cinefex.com/blog/greenscreen/
You’re standing on a film set. What do you see? Cameras? Lights? A craft service table laden with muffins? A hundred people standing around waiting for something to happen?
May 27, 2014, 10:00 AM
http://www.creativitypost.com/technology/why_the_f...
While the past favored those who could retain and process information efficiently, the future belongs to those who can imagine a better world and work with others to make it happen.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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