It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 5, 2017, 12:30 PM
https://www.premiumbeat.com/blog/master-text-style...
Adobe Premiere Pro’s new Essential Graphics panel offers a drastically different workflow from the Title Tool panel.
July 5, 2017, 12:30 PM
http://postperspective.com/behind-title-ps260-edit...
NAME: Matt Posey COMPANY: PS260 (@ps260nyc) CAN YOU DESCRIBE YOUR COMPANY? PS260 is a boutique editorial house (with offices in Venice, California and New York City) specializing in commercials, music videos and features. Continue reading → July 5, 2017 The post Behind the Title: PS260 editor Matt Posey appeared first on Randi Altman's postPerspective.
July 5, 2017, 12:29 PM
https://edaeditores.org/ciclo-de-cine-eda-presenta...
¡Muchas gracias a todos los que nos acompañaron en nuestra función #20 de EDA PRESENTA! En nuestra última proyección presentamos el documental “Mi último fracaso”, dirigido por Cecilia Kang, escrito por ella junto a Virginia Roffo.Luego de ver la película compartimos una charla muy amena junto al público y al montajista Sebastián Agulló (SAE). Conversamos […]
July 5, 2017, 12:28 PM
http://filmklippere.com/wp/2017/07/erland-edenholm...
Erland Edenholm Hvem er du? Mitt navn er Erland Edenholm og jeg er 54 år. Jeg kommer opprinnelig fra Stockholm men er bosatt i Oslo. Jeg flyttet til Norge tidlig på 80-tallet og har jobbet som klipper siden 1986. Hvorfor ble du film-klipper? Jeg hadde egentlig tenkt å bli stills-fotograf men da jeg kom til […]
July 4, 2017, 10:22 AM
https://roosterpost.wordpress.com/2017/07/04/paul-...
This DDB Canada/Dairy Farmers of Canada campaign follow-up features another fun spoof of an 80’s-style beer commercial. Directed by Soft Citizen duo Aircastle, the tongue-in-cheek spot was cut by Paul Proulx whose edit provides some beautifully-timed moments of beer-inspired celebration. Client & Product: Dairy Farmers of Canada – Milk Name of campaign: “Pour a Tall […]
July 4, 2017, 04:59 AM
https://www.provideocoalition.com/art-cut-editing-...
Art of the Cut takes a step into the epic – not just with the film we’re discussing – but because to cover the editing of Michael Bay’s Transformers: The Last Knight, we spoke to four editors in three separate interviews. The exciting thing for readers of Art of the Cut is that when you get six top editors on a single picture, they all learn from each other in ways that are impossible without working on the same footage and with the same director. Those important lessons are at the core ...
July 3, 2017, 05:12 AM
http://www.screeneditors.com.au/ase-mentor-and-men...
ASE MENTOR AND MENTEE MUSINGS Nick Beauman ASE and Jenny Hicks NICK BEAUMAN ASE – ASE Lifetime Member and Mentor: I have been in film post-production for 57 years; everything I’ve learned has largely been through trial and error, and I realise looking back how invaluable a mentor might have been for ME. I started out […]
July 3, 2017, 05:12 AM
http://www.fcp.co/final-cut-pro/news/1981-speeding...
Subtitles, love them or hate them, they are an essential part of constructing a programme for domestic or international distribution. Jan Willem den Bok has written a plugin that speeds up the process of building subtitles in a show on an FCPX timeline.
July 3, 2017, 05:12 AM
http://www.screeneditors.com.au/freelancers-inform...
Victoria ASE Presents: Freelancers' Information Night 29TH March, 2017 – Sam Hardy An assembly of 28 assorted post practitioners ranging from students assistant editors and editors filled the upstairs room of The Palace Hotel to listen to the legendary Belinda Fithie. Belinda in the past has generously given her advice and recommendations based off her […]
July 1, 2017, 05:22 PM
https://digitalfilms.wordpress.com/2017/07/01/spic...
One way in which Apple’s Final Cut Pro X has altered editing styles is through the use of effects built as Motion templates, using the common engine shared with Apple Motion. There are a number of developers marketing effects templates, but the biggest batch can be found at the Fxfactory website. A regular development partner […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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