It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 7, 2018, 05:52 PM
http://www.studiodaily.com/2018/03/vfx-breakdown-t...
Invisible VFX can be just as important to the success of a film as the splashy, show-offy stuff. Case in point: this VFX breakdown for Union VFX’s work on Three Billboards outside Ebbing, Missouri, which featured a lonesome deer, Frances McDormand chucking Molotov cocktails from an upstairs window, and some seriously misplaced dental work among shots requiring seamless […] The post VFX Breakdown: Three Billboards outside Ebbing, Missouri appeared first on Studio Daily.
March 7, 2018, 10:14 AM
https://www.hollywoodreporter.com/heat-vision/john...
John Williams has no doubt that Star Wars films will go on indefinitely now that the franchise is owned by Disney, but it sounds like he's over scoring them.
March 7, 2018, 10:14 AM
http://www.artofvfx.com/black-panther-craig-hammac...
In 2016, Craig Hammack explained the work of ILM on DEEPWATER HORIZON. He then worked on ROGUE ONE: A STAR WARS STORY.
March 7, 2018, 05:09 AM
http://designingsound.org/2018/03/the-challenge-of...
Matthew Florianz, Audio Lead at Frontier Developments, recently posted his presentation from Develop Brighton, which gives us an in-depth look at how they planned, recorded, and implemented the sound in Planet Coaster. From guiding us through the smooth, evolving ambience in the park to opening a Wwise session to show the intertwining parameters of a […]
March 7, 2018, 05:09 AM
http://designingsound.org/2018/03/2018-gdc-meetup-...
As previously mentioned, we’re hosting a Pre-GDC gathering with the help of UVI. We’ll be meeting to chat, play pool, and drink/eat at The Broken Rack in Emeryville on Sunday, March 18th starting at 2PM. We’ll also be guiding groups over to the Vintage Synthesizer Museum, throughout the afternoon and evening. The Broken Rack (5768 […]
March 7, 2018, 05:09 AM
https://edaeditores.org/8m-editoras-audiovisuales-...
Este 8 de Marzo, el mundo se pone de pie. Desde las islas de edición las mujeres del mundo paramos. 💪👩💻 Desde EDA, Asociación Argentina de Editores Audiovisuales adherimos al #ParoInternacionalDeMujeres Mandanos tu foto con la consigna #EditorasAudiovisuales: https://goo.gl/P9MNGS Por la equidad y el respeto a nuestros derechos laborales. Por la implementación de una educación sexual […]
March 6, 2018, 05:24 PM
http://postperspective.com/the-sound-of-reality-fo...
By Jennifer Walden Films based on true stories are always popular, and Oscar-winning director Clint Eastwood has made his share, including Sully and American Sniper, as well as Flags of Our Fathers and Letters From Iwo Jima. While those stories were inspired by real people/events, Continue reading → March 6, 2018 The post The sound of reality for Clint Eastwood’s The 15:17 to Paris appeared first on Randi Altman's postPerspective.
March 6, 2018, 02:06 PM
https://www.shutterstock.com/blog/free-video-edito...
Download the free Shutterstock Video Editor Toolkit and score over 220 free assets — all free to use in any video.
March 6, 2018, 10:38 AM
http://www.fcp.co/final-cut-pro/articles/2048-watc...
It has been a few weeks since the event, but we are very pleased to be able to publish the full FCPX & Motion presentation that Apple gave at the LACPUG meeting in Los Angeles on January 14th.
March 6, 2018, 06:44 AM
https://filmschoolrejects.com/referential-brillian...
Newly minted Best Director Guillermo del Toro has always worn his inspirations on his sleeve. Whether it’s Hammer horror films or the work of Akira Kurosawa, del Toro has been vocal about the influences that have helped him craft his own fantastical and transportive features. The Shape of Water, which also just took home the Oscar for Best Picture, is perhaps his most explicitly referential film to date, an ode to the magic of cinema and a reimagining of classic genre conventions.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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