To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Avid Terminates CEO Louis Hernandez Over Workplace
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How to record Ambisonics with the Sennheiser AMBEO
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Get tips for capturing immersive 3D audio recordings with the AMBEO VR. In the growing landscape of spatial audio, we want our users to have access to the best resources available. We recently launched our VR Field Recording Giveaway featuring state-of-the-art 3D audio tools from Sennheiser, Zoom, and BaseHead along with ... The post How to record Ambisonics with the Sennheiser AMBEO VR Mic appeared first on Pro Sound Effects Library.
Filmmaking Is All About Teamwork — Andrei Pavlov
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http://www.avidblogs.com/filmmaking-teamwork-andre...
The article Filmmaking Is All About Teamwork — Andrei Pavlov Shares His Timeline and Experience by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Cutter Mark Burnett returns to his Australian root
February 27, 2018, 10:30 AM
http://postperspective.com/cutter-mark-burnett-ret...
Editor Mark Burnett has returned home to Australia and The Editors after nine years of cutting in London, most recently at The Whitehouse. Launching his career in Sydney, working at The Post Office before joining The Editors back in 2007, Burnett moved to London in 2009 to edit at Speade, Continue reading → February 27, 2018 The post Cutter Mark Burnett returns to his Australian roots and The Editors appeared first on Randi Altman's postPerspective.
Making The Cut: Norman Hollyn—Telling Great Stor
February 27, 2018, 10:30 AM
http://www.avidblogs.com/making-cut-norman-hollyn-...
The article Making The Cut: Norman Hollyn—Telling Great Stories from the Editing Room by Jess Bedford appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
BLACK PANTHER: Bryan Grill - VFX Supervisor
February 27, 2018, 10:29 AM
http://www.artofvfx.com/black-panther-bryan-grill-...
In 2016, Bryan Grill explained the work of Scanline VFX on INDEPENDENCE DAY: RESURGENCE. He then worked on POWER RANGERS. He returns to the Marvel universe with BLACK PANTHER.
Codex Announce ColorSynth Plugin and Codex Keys Co
February 27, 2018, 06:49 AM
http://www.fcp.co/final-cut-pro/articles/2045-code...
If you are going to the BVE Show this week, then you will one of the first to see a couple of exciting new tools for FCPX. Codex will be previewing two new colour correction products on their stand.
Audition Adjustment Layers as FX Collections in FC
February 27, 2018, 06:48 AM
https://www.provideocoalition.com/day-27-28daysofq...
Years ago before the release of Final Cut Pro X but after the first announcement many editors, myself included, were excited about this new Auditions feature that FCPX was going to contain. It looked to be some new thinking on ways to look at … audition … different takes or different shots in an edit. In reality the FCPX Auditions feature is probably underused as it’s a bit clunky to setup and execute.
Ren Klyce: Mixing the score for Star Wars: The Las
February 26, 2018, 06:14 PM
http://postperspective.com/ren-klyce-mixing-score-...
By Jennifer Walden There are space battles and epic music, foreign planets with unique and lively biomes, blasters, lightsabers, a universe at war and a force that connects it all. Over the course of eight “Episodes” and through numerous spin-off series and games, fans of Star Wars have become well acquainted with its characteristic sound. Continue reading → February 26, 2018 The post Ren Klyce: Mixing the score for Star Wars: The Last Jedi appeared first on Randi Altman's postPers...
Book: Between cuts. Conversations with Argentinian
February 26, 2018, 12:57 PM
https://edaeditores.org/book-between-cuts-conversa...
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