It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2014, 01:34 PM
http://www.studiodaily.com/2014/02/vfx-supe2nd-uni...
Three-time Oscar nominee Roger Guyett of Industrial Light & Magic again brought his experience as a second-unit director as well as a visual effects supervisor to director J. J. Abrams’ venture into Star Trek territory — and again brought home … more »
February 14, 2014, 01:33 PM
http://www.premiumbeat.com/blog/2-hour-vfx-masterc...
In this masterclass video, VFX legend Douglas Trumbull shares his work behind the visual effects in 2001: Space Odyssey, Close Encounters of the Third Kind, Blade Runner and many more.
February 14, 2014, 10:32 AM
http://www.artofvfx.com/?p=6013
Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN’S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.
February 13, 2014, 06:46 PM
http://www.fxguide.com/featured/robocop-redux-insi...
In 1987, director Paul Verhoeven brought the near-future RoboCop to the big screen, a satirical romp highlighting issues of media, capitalism and cyborg identity. Groundbreaking in its practical and digital effects, the ’87 film has now been re-booted with José Padilha’s take on the Alex Murphy/RoboCop character.
February 13, 2014, 06:45 PM
http://provideocoalition.com/news/story/light-iron...
Light Iron – a post production leader specializing in content originated on file-based motion cameras – has hired Executive Producer Jean Lane for a newly created role to lead its growing New York facility. Lane’s move from Goldcrest Post comes as Light Iron expands...
February 13, 2014, 02:39 PM
http://www.behindvfx.com/post/76543479588/behind-t...
Sgt. Major: “At 14:46 Pacific Standard Time, 12 different locations around the world were breached, in what appears to be a coordinated attack by an unknown enemy. All breaches were along the coastline, in what is a campaign of rapid dominance. This is a textbook military invasion.”
February 13, 2014, 02:37 PM
http://www.studiodaily.com/2014/02/weta-digitals-j...
Joe Letteri, Weta Digital’s senior visual effects supervisor and studio director, extends his long list of awards with his eighth Oscar nomination, this for supervising the visual effects in Peter Jackson’s The Hobbit: The Desolation of Smaug, an MGM production … more »
February 12, 2014, 07:41 PM
http://www.karenschmeer.com/ksfef-home/2013/8/19/b...
"Scary. Soiled. Scandalous. And basically shitty. This is how history not-so fondly remembers New York City of the 1970s..." Read the rest here.
February 12, 2014, 01:55 PM
http://www.hollywoodreporter.com/behind-screen/ves...
When the Visual Effects Society gathers Feb. 12 for its 12th annual VES Awards, Alfonso Cuaron can expect to spend a lot of time at the winner's podium. Gravity leads in the feature film competition with eight nominations, and the director is set to receive the group's Visionary Award.
February 12, 2014, 11:08 AM
http://www.studiodaily.com/2014/02/vfx-cloud-house...
My stomach does a little cringe when I think about all the artists out there who are trying to keep their heads above water after the massive purge over the last year. The unstable houses have fallen, leaving literally thousands … more »
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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