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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Marvel's Iron Fist (2017)

May 10, 2017, 12:58 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Danny, some shit you just can't punch.” — Claire Temple ...

[19] BAFICI: CLASE MAGISTRAL DE NANNI MORETTI

May 10, 2017, 09:17 AM

https://edaeditores.org/19-bafici-clase-magistral-...

El realizador italiano Nanni Moretti visitó la 19ª edición del BAFICI que incluye una retrospectiva de toda su filmografía y la presentación del libro Ecce Nanni: El testigo crítico“. Además, el pasado 20 de Abril ofreció una clase magistral en la que aprovechó  para contar cómo trabaja el montaje de sus películas: La relación entre […]

[19] BAFICI: ENCUENTRO CON STÉPHANE BRIZÉ “LA

May 10, 2017, 09:17 AM

https://edaeditores.org/19-bafici-encuentro-con-st...

Stéphane Brizé, director francés, estuvo en Buenos Aires para acompañar la retrospectiva que le dedica la 19ª edición del BAFICI. Durante su  visita por Argentina ofreció el pasado 23 de Abril una charla dentro del marco del festival, en la que le preguntaron sobre su relación con el montaje: Yo estoy siempre presente en los […]

Digital Production Buzz- May 11, 2017

May 10, 2017, 05:02 AM

http://www.digitalproductionbuzz.com/2017/05/digit...

Join host Larry Jordan as he talks with Ned Soltz, Michele Yamazaki, Michael Kammes, Gary Watson, Philip Hodgetts and James DeRuvo. Ned Soltz: Trends from NAB 2017 Philip Hodgetts: Highlights from NAB 2017 Michele Yamazaki: Was NAB 2017 a Bust? Michael Kammes: Highlights of 2017 NAB Customized Storage, Designed for Media The Weekly DoddleNEWS Update The post Digital Production Buzz- May 11, 2017 appeared first on Digital Production BuZZ.

How NAB 2017 is Changing Post-Production

May 9, 2017, 05:12 PM

http://www.videoguys.com/blog/nab-2017-changing-po...

The staff, at No Film School and  created a great guide to the changes in post production reflecting the new technologies release at NAB 2017.   In-Depth with Blackmagic DaVinci Resolve 14 at NAB 2017 These new programs are going to make your life a heck of a lot easier. No Film School  pumped out 85 Read More The post How NAB 2017 is Changing Post-Production appeared first on Videoguys Blog.

NAB 1998 in Retrospect

May 9, 2017, 05:12 PM

http://www.philiphodgetts.com/2017/05/nab-1998-in-...

NAB 1998 was my first. This week I rediscovered my 'review'. It's interesting to see what's changed, and what has not.

New book draws advice from leading editors

May 9, 2017, 12:37 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — "Art of the Cut: Conversations with Film and TV editors” is a new book by author/editor Steve Hullfish. As a feature film and TV editor, Hullfish’s credits include Courageous, War Room, Champion,  The Reliant and the theatrically-released feature documentary,  Clinton Inc. He also worked on The Oprah Winfrey Show for a decade.

Avid Media Composer with the Symphony: Remove and

May 9, 2017, 12:36 PM

http://www.videoguys.com/blog/avid-media-composer-...

Bri Kelley, from Avid and Red Arrow Industries narrates a great tutorial on color correction with Media Composer with Symphony. The Symphony option in Avid Media Composer has made color correction easier to use and manipulate.  Knowing how to use it to your advantage will help save time and so, ultimately, money. That will make Read More The post Avid Media Composer with the Symphony: Remove and Merge Color Correction appeared first on Videoguys Blog.

How To Edit With Silence, From TV Editor Chris McC

May 9, 2017, 07:12 AM

https://blog.frame.io/2017/05/08/edit-with-silence...

There’s a rhythm to filmmaking – in many ways, every TV show and every film is like a song, with winding solos and swelling climaxes. Many great directors and writers have their own, personal song – a stamp of their style that is clearly witnessed in every frame of every piece that they make. Words and visuals are, of course, a huge part of creating this. But equally important are the moments between the words. The beats. The silences.

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