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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What Do Filmmakers Mean When They Refer to the Coo

January 10, 2018, 06:02 AM

https://www.premiumbeat.com/blog/what-is-the-cooke...

Cooke lenses offer one of the most distinctive looks for filmmakers. So what is the "Cooke look," and what does it mean for you?

3 huge colour trends for 2018

January 9, 2018, 10:32 AM

http://www.creativebloq.com/features/colour-trends...

Before analysing the big colour trends of 2018, first we’ll consider the last year. Green had its year in 2017. Not only did Pantone stamp its seal on Greenery for Colour of the Year, but a variation of the hue also won the people’s vote in GF Smith’s World’s Favourite Colour campaign.

THX Developer to Receive Inaugural Edward J. Green

January 9, 2018, 10:32 AM

https://www.hollywoodreporter.com/behind-screen/th...

The Cinema Audio Society has created a new award in memory of Edward J. Greene, a sound vet who earned a remarkable 22 Emmys during his career. He died last summer at the age of 82.

What You Need to Know About High Key vs. Low Key L

January 9, 2018, 09:38 AM

https://www.premiumbeat.com/blog/high-key-vs-low-k...

High key and low key lighting can create drastic differences in the final look of your film. Let’s take a look at which is best for your ...

Classical Temptations — Recording, Editing, Mixi

January 9, 2018, 09:38 AM

http://www.avidblogs.com/classical-temptations-rec...

The article Classical Temptations — Recording, Editing, Mixing, and Mastering a Wind Orchestra with Pro Tools and S6 by Alexandra Reaper appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Making the Cut: Charity Kuria – Catching her Fir

January 9, 2018, 09:37 AM

http://www.avidblogs.com/making-the-cut-charity-ku...

The article Making the Cut: Charity Kuria – Catching her First Feature Film Break by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Smooth Transitions 2.0 for FCP X

January 9, 2018, 09:37 AM

https://fxfactory.com/blog/effects-2/smooth-transi...

Dynamic transitions applied through the title layer to give you ultimate freedom over the final look.

Sound Designer Closeup: An Interview with The Nois

January 9, 2018, 09:37 AM

http://designingsound.org/2018/01/sound-designer-c...

Meet David Philipp: Sound Designer and Co-Founder of The Noiseworks Ltd. Based out of London, UK, David’s work has appeared on many release trailers for Total War: Warhammer and Warhammer II as well as the Total War titles, including Rome II, Attila, Kingdoms, and Warharmmer (where he was a lead creature designer). He is also […]

Editor Sidney Wolinsky teams with Guillermo del To

January 8, 2018, 06:00 PM

http://postperspective.com/editor-sidney-wolinsky-...

By Randi Altman One of the reasons people love movies is their ability to transport us to another world, or another version of our world, and that’s exactly what Guillermo del Toro’s magical The Shape of Water does. He shows us that even without words, love and compassion can overcome all — even it that love is between a human and a sea creature. Continue reading → January 8, 2018 The post Editor Sidney Wolinsky teams with Guillermo del Toro on Shape of Water appeared first on Ra...

Designing the Retro-Tech Look of the Future in Bla

January 8, 2018, 06:00 PM

http://www.studiodaily.com/2018/01/designing-retro...

Since its inception in 2010, Los Angeles design and creative visual effects studio Cantina Creative has earned an enviable list of credits that includes blockbusters such as Spider-Man Homecoming, Fate of the Furious, Avengers: Age of Ultron, Captain America: Civil War, The Hunger Games, Guardians of the Galaxy, Iron Man 3 and many more. Recently, Cantina […] The post Designing the Retro-Tech Look of the Future in Blade Runner 2049 appeared first on Studio Daily.

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