To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
The Wheel of Time Oliver Winwood and David Sewell
March 8, 2022, 08:39 AM
https://www.artofvfx.com/the-wheel-of-time-oliver-...
Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He’s back to talk about another series and MPC‘s work.
The Wheel of Time Oliver Winwood and David Sewell
March 8, 2022, 08:39 AM
https://www.artofvfx.com/the-wheel-of-time-oliver-...
Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He’s back to talk about another series and MPC‘s work.
M1 Max MacBook Pro LongTerm Report
March 8, 2022, 08:38 AM
https://prolost.com/blog/m1max4mo
Back in October when I got a chance to use a pre-release 14″ MacBook Pro with M1 Max processor, I openly questioned whether this laptop could replace my venerable iMac Pro. Four months later, I’m back with an update.
Ive started watching the Building the Open Metav
March 8, 2022, 08:38 AM
https://beforesandafters.com/2022/03/08/ive-starte...
It's hosted by Patrick Cozzi (Cesium) and Marc Petit (Epic Games).
Lightworks 2022.2 beta: a new end-to-end pro editing experience
March 7, 2022, 08:49 AM
https://www.provideocoalition.com/lightworks-2022-...
The new version of Lightworks 2022.2 includes Apple ProRes certification, quick conversion import LUTs, redesigned 10-bit editing automated quality control and more features. Check the beta version now! LWKS has announced that Lightworks, the original video editing software platform, has amplified and enhanced its pro editing features. This new release ensures Lightworks is the optimum [...]Read More... from Lightworks 2022.2 beta: a new end-to-end pro editing experience
Behind the Title: Lobo Animation Director and CD Isabela Littger
March 4, 2022, 07:31 AM
https://postperspective.com/behind-the-title-lobo-...
Brazilian filmmaker Isabela Littger, a graduate of Ringling College of Art, is an animation and creative director at Lobo, a creative design studio based in São Paulo and New York. She is responsible for creating animated films that successfully encompass clients’ concepts or ideas, then making sure that the concepts remain consistent until the final delivery. Continue reading → March 3, 2022 The post Behind the Title: Lobo Animation Director and CD Isabela Littger appeared first on postPer...
Analogue Wayback, Ep. 4
March 4, 2022, 07:31 AM
https://digitalfilms.wordpress.com/2022/03/03/anal...
Divide 24 into 60. Back in the 1970s and as late as the early 80s, film editors working on film ruled the world of high-end regional and national TV commercials. They had the agency connections and, as such, controlled the workflow in post. Most of the top commercials were shot on film, so after the […]
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