It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 29, 2018, 07:09 AM
https://news.creativecow.net/story/894121
New upgrade fully integrates visual effects and motion graphics, adds even more audio tools plus hundreds of new features and improvements that editors and colorists have asked for!
August 28, 2018, 06:25 PM
http://www.studiodaily.com/2018/08/8k-red-raw-work...
Coming soon to an NLE near you: real-time 8K Redcode Raw workflow on a single-CPU, single-GPU desktop workstation. At SIGGRAPH this month, most of the news around Nvidia’s Turing GPU architecture had to do with AI-driven advances that promised to make ray-traced rendering faster, and more interactive than ever before for applications in VFX and animation, […] The post 8K Red Raw Workflow Is Getting Accelerated via Nvidia CUDA-Based GPUs appeared first on Studio Daily.
August 28, 2018, 03:48 AM
https://www.provideocoalition.com/review-logitech-...
How do you review a keyboard? That’s a question I’ve been pondering since I received a Logitech Craft keyboard for testing and review. I was very intrigued when I saw this product introduced a year or so ago (maybe it’s been longer than that, I can’t remember). I’m my never ending quest for the best/fastest input devices for video editing it was that little knob, called the Crown (or Creative Input Dial), that is built into the left side of this keyboard that really intrigued me.
August 27, 2018, 12:54 PM
https://www.premierebro.com/blog/shifter-transitio...
Motion Array Drops New Drag And Drop Transitions For Premiere Pro. Enhance your video and graphic transitions with Motion Array’s new Premiere Pro plugin: Shifter. We promise these are the “easiest” (pun intended) transitions you’ll ever use.
#editing#adobe#premiere pro#transitions#adobe premiereAugust 27, 2018, 12:50 PM
https://www.provideocoalition.com/smooth-glass-sli...
This week on MacBreak Studio, Steve Martin from Ripple Training showcases iDustrial Revolution’s Smooth Glass Slideshow plugin for Final Cut Pro X.
August 27, 2018, 09:37 AM
https://www.provideocoalition.com/adobe-santa-moni...
Adobe recently opened a new facility in Santa Monica located at 429 Santa Monica Blvd in an effort to reach out to the Hollywood film and television industry. Similar to Canon’s facility that I wrote about a while back, Adobe’s location is a facility designed for relevant film industry professionals to test out and give feedback on the Adobe suite of products in their showpiece edit suite, featuring support for next-gen entertainment technology including VR/AR, HDR capabilities, and an optim...
August 26, 2018, 06:16 AM
https://www.premiumbeat.com/blog/sharpen-film-vide...
If you work on an editing project long enough, you can lose your edge in the details. Find out how you can stay sharp all the way ...
August 26, 2018, 06:16 AM
https://www.premiumbeat.com/blog/documentary-tips-...
We spoke with Bobbito García and his team about how they sorted decades of archival footage to create the autobiographical documentary Rock Rubber 45s.
August 26, 2018, 06:16 AM
https://www.provideocoalition.com/working-with-cli...
In this lesson, Kevin P McAuliffe talks about working with Clip-Based Parameters, then moves the discussion along to working with Keyframes!
August 24, 2018, 02:41 PM
http://www.studiodaily.com/2018/08/atlantas-emmy-n...
The second season of Donald Glover’s half-hour slice-of-Southern-city-life chronicle Atlanta earned 16 Emmy nominations, including Outstanding Comedy Series, Outstanding Directing for a Comedy Series, and Outstanding Lead Actor, Supporting Actor, and Supporting Actress in a Comedy Series. We’ve already spoken with supervising sound editor Trevor Gates, who is up for a Sound Editing Emmy. Now, our […] The post Atlanta‘s Emmy-Nominated Editors on “Alligator Man” and “Teddy Perk...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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