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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

To Break or Not to Break: The Significance of the 180-Degree Rule

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We dare to challenge one of the most famous, yet controversial, rules in film and video production. But, we're not the only ones . . .

Framestores VFX is the Zombie Cats Meow in

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Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.

Emmys 2021 Ted Lassos singlecam editing capture

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Melissa McCoy and A.J. Catoline deserve an Emmy nod for their editing on the Apple TV+ comedy

Ripple Effect, a short film to test Virtual Production tech

June 16, 2021, 10:56 AM

https://www.provideocoalition.com/ripple-effect-a-...

Virtual production technologies and remote workflow solutions used in Ripple Effect are the key subject for PNYA’s Post Break next edition, a free video conference slated for Thursday, June 17th at 4:00pm EDT. The June 10th edition of Post Break, the free webinar series from Post New York Alliance (PNYA), featured an in-depth interview with [...]Read More...

Editor James K. Crouch on Editing a Feature Film During COVID

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https://www.premiumbeat.com/blog/editor-james-k-cr...

We chat with editor James K. Crouch about what he learned from editing the Tribecca feature film 12 Mighty Orphans during COVID-19 lockdowns. One of the highlights …

INTERVIEW: Jeff Boyette, editor of “Amy Tan: Unintended Memoir”

June 10, 2021, 08:23 AM

https://www.provideocoalition.com/interview-jeff-b...

Writer Amy Tan’s hit debut novel, “The Joy Luck Club” (1989), catapulted her to commercial and critical success, spending over 40 weeks on The New York Times Best Seller list. With the 1993 blockbuster film adaption that followed, which was selected for the National Film Registry in 2020, as well as additional bestselling novels, librettos, short stories and memoirs, Tan firmly established herself as one of the most prominent [...]Read More...

Suicide Squad Editor Shares The Major Changes Made

June 10, 2021, 08:22 AM

https://www.cinemablend.com/news/2568689/suicide-s...

The Suicide Squad we saw in theaters was quite different from what was originally envisioned.

How to Battle Burnout in the Film and Video Industry

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https://www.premiumbeat.com/blog/burnout-film-vide...

Don’t let burnout destroy your creative drive. Follow these helpful tips to stay fresh, engaged, and productive.

Everything is Unlaminated

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https://moviemaker.com/everything-is-unlaminated/

From rap music to survivalists, bullet-proof clothing to porn conventions, you name it and moviemaker Chris Tellefsen has probably edited it. Without the benefit of a film school education, Tellefsen has gone from art student to in-demand film editor with an eclectic resume that includes such diverse titles as Whit Stillman’s Metropolitan, Larry Clark’s Kids, Milos Forman’s Man on the Moon, Robert Benton’s The Human Stain, M. Night Shyamalan’s The Village and Bennett Miller’s Capote.

Executive Stress

May 30, 2021, 10:46 AM

https://cuttingroomtales.wordpress.com/2021/04/28/...

When Money People Monkey with your Cut ☛ In the Oscars this year Harrison Ford unpocketed a set of notes that had been given by the Executive Producers on his 1982 film Blade Runner. His intention was clearly to ridicule the wrong-headedness of Hollywood executives and the way they blunder into the editing process; these […]

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