It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 15, 2019, 09:49 PM
https://variety.com/2019/film/features/germany-tor...
Google News: post production
#filmSeptember 8, 2019, 07:32 PM
https://digitalfilms.wordpress.com/2019/09/07/why-...
Over my career I’ve cut client jobs with well over a dozen different linear and nonlinear editing systems and/or brands. I’ve been involved with Adobe Premiere/Premiere Pro as a user on and off since Premiere 5.5 (yes kids – before, Pro, CS, and CC). But I seriously jumped into regular use at the start of […]
September 7, 2019, 10:47 AM
https://www.studiodaily.com/2019/09/boris-fx-acqui...
Boris FX announced a pair of acquisitions, bringing SilhouetteFX and Digital Film Tools into the fold alongside its Sapphire, Continuum, and Mocha Pro offerings. Silhouette won a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences earlier this year for its work in roto and paint software, which incorporates a licensed version of […] The post Boris FX Acquires SilhouetteFX, Digital Film Tools appeared first on Studio Daily.
September 6, 2019, 05:23 AM
http://www.cgchannel.com/2019/09/borisfx-unveils-m...
Mocha Pro 2020: BorisFX’s upcoming update to the planar tracking software adds a new Mega Clean Plate feature for extracting background plates from moving footage, plus support for OpenColorIO.
September 6, 2019, 05:22 AM
https://www.mettle.com/audio-reactive-hologram-wit...
One of the coolest effects in the Award-winning MOONBASE [INVASION ReMix] is a 3D Holographic Avatar of Rock’n Roll Hall of Famer Mix Master Mike, mixing in real time. In this tutorial, Jonathan Winbush (winbush.tv) takes us behind the scenes and shows how he created the audioreactive Hologram. He uses many features found in Adobe After Effects along with FreeForm Pro. Thanks Jonathan and Mix Master Mike!
September 5, 2019, 12:38 PM
https://postperspective.com/behind-the-title-one-t...
Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back. NAME: Torin Geller COMPANY: NYC’s One Thousand Birds (OTB) CAN YOU DESCRIBE YOUR COMPANY? OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading → September 5, 2019 The post Behind the Title: One Thousand Birds sound designer Torin Geller appeared first on postPerspective.
September 5, 2019, 09:04 AM
https://postperspective.com/nvidia-and-asus-offer-...
In another new addition to the Nvidia RTX Studio of laptops, the Nvidia Quadro RTX 6000 GPU will power the Asus ProArt StudioBook One, making it the first laptop to offer the Nvidia Quadro RTX 6000 in a mobile solution so creatives can run complex workloads regardless of location. The Quadro RTX 6000 within the ProArt StudioBook One provides creatives a similar high-end experience as a deskside workstation. Continue reading → September 5, 2019 The post Nvidia and Asus offer first laptop...
September 5, 2019, 05:55 AM
https://fxfactory.com/blog/effects-2/arrow-pop-2-t...
A fast and simple way to add animated arrows to any video without wasting precious hours and dollars.
September 5, 2019, 05:54 AM
https://beforesandafters.com/2019/09/05/what-to-pu...
A couple of weeks ago I interviewed visual effects artist Monika Batchelor about her experience as someone who is just starting out in the industry. The interview got a lot of attention, partly, I think, because we don’t always get to hear from new entrants in VFX. Monika has worked at Hulu, Lola VFX, Luma Pictures, MPC and is now at Pixomondo.
September 5, 2019, 05:54 AM
https://beforesandafters.com/2019/09/05/uk-screen-...
UK Screen Alliance, in partnership with Animation UK and Access VFX, has published a report into inclusion and diversity in the UK’s VFX, animation and post-production sectors.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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