It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 1, 2017, 10:18 AM
https://www.premiumbeat.com/blog/power-of-metadata...
Utilizing metadata in Adobe Premiere Pro is a fantastic way to stay organized and streamline your video editing workflow.
February 1, 2017, 08:01 AM
https://terencegallacher.wordpress.com/2017/02/01/...
In the the podcast of the series, Terry recalls preparations for the first ever episode of “In Melbourne Tonight” with host Graham Kennedy at GTV9, on the 6th May 1957. The series ran until 1970. In April 2011 I recorded this interview with my father, Terry Gallacher, for the National Film and Sound Archive of […]
January 31, 2017, 10:36 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Who needs reasons when you've got heroin?” — Mark "Rent-boy" Renton ...
January 30, 2017, 06:18 PM
https://www.premiumbeat.com/blog/2017-oscar-film-e...
Get to know 2017's Oscar-nominated film editors as they discuss the challenges of cutting everything from high-brow sci-fi to old-school song and dance.
January 30, 2017, 06:17 PM
http://www.philiphodgetts.com/2017/01/lwpg-with-st...
Steve Martin of Ripple Training is our next lunch guest.
January 30, 2017, 10:19 AM
https://www.premiumbeat.com/blog/free-lower-thirds...
Lower thirds can add a level of slick professionalism to any video project. Here are a few ways to get them for FREE.
January 30, 2017, 10:19 AM
http://postperspective.com/arrival-la-la-land-at-6...
The ACE Eddies, the awards celebrating the best in editing and voted on by editors, took place last week. Arrival (edited by Joe Walker, ACE) and La La Land (edited by Tom Cross, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy), Continue reading → January 30, 2017 The post Arrival, La La Land among winners at 67th ACE Eddies appeared first on Randi Altman's postPerspective.
January 30, 2017, 10:18 AM
http://www.provideocoalition.com/editblogs-2017-nl...
It’s a new year and 2017 is a year unlike any other in terms of the technology we have at our disposal for editing and post-production. The controversy over the new MacBook Pro aside we have very powerful hardware to choose from over a wide range of prices. If you’re in the game to edit The post The Editblog’s 2017 NLE Buyers Guide appeared first on ProVideo Coalition.
January 30, 2017, 10:18 AM
http://www.fcp.co/final-cut-pro/tutorials/1923-fin...
Continuing our look at Final Cut Pro X for Premiere editors, Chris Roberts takes a look at the different editing techniques you can employ. There are some big changes and Chris gives you the information you need to know to get up to speed.
January 30, 2017, 10:18 AM
http://www.vanityfair.com/news/2017/01/why-hollywo...
With theater attendance at a two-decade low and profits dwindling, the kind of disruption that hit music, publishing, and other industries is already reshaping the entertainment business. From A.I. Aaron Sorkin to C.G.I. actors to algorithmic editing, Nick Bilton investigates what lies ahead.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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