It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 16, 2017, 08:44 AM
http://designingsound.org/2017/11/diego-stocco-sou...
Covering both the subject of last month’s DIY and this month’s of Fear, we spoke with Diego Stocco about his work as a sound designer, composer and performer. Diego creates eclectic musical experiences with custom built instruments and experimental recording techniques. He loves discovering hidden sounds from organic sources, objects and materials, with an unorthodox musical curiosity that allows him […]
November 16, 2017, 08:43 AM
http://designingsound.org/2017/11/twenty-thousand-...
Fitting our monthly theme “Fear”, a recent episode of the Twenty Thousand Hertz podcast explores how Hollywood crafts the sounds of horror and why these sounds trigger fear. Guests include Formosa Group Senior Sound Editor/Sound Designer Trevor Gates and Dan Blumstein, professor of Ecology and Evolutionary Biology at UCLA. You can listen to the episode here. [image credit: 20k.org]
November 15, 2017, 05:37 PM
http://www.animationmagazine.net/people/women-in-a...
Women in Animation announces that, for the first time, it has selected two recipients for the Phyllis Craig Scholarship: Heather Forlong and Esther Tejano. The annual award for student artists was established in 1997 to honor the legacy of founding member Phyllis Craig.
November 15, 2017, 11:08 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Everybody spoils me. Nobody loves me.” — Florence 'Cléo' Victoire ...
November 15, 2017, 11:08 AM
http://saeditores.org/Novedades/Finalizo-el-Taller...
El sábado 3 de diciembre finalizó la segunda edición del taller Montaje de secuencias de género, puesta y edición en secuencias de suspenso, acción y comedia, dictado por Andrea Kleinman (SAE - EDA) y organizado por la Comisión de Cultura y Desarrollo Profesional de la SAE...
November 15, 2017, 11:08 AM
https://www.videoguys.com/blog/avid-nab-ny-2017/
NAB NY 2017 was bigger than ever and we got a first-hand look into a few of the leading companies in the industry. Anthony Dragan from Avid gave us an inside look at their booth highlighting two of their most popular products. The Avid Artist | DNxIQ video interface and Avid | NEXIS Pro shared Read More The post Avid at NAB NY 2017 appeared first on Videoguys Blog.
November 15, 2017, 11:07 AM
https://fxfactory.com/blog/after-effects/halo-bend...
Organic color effects engine with infinitely flexible variations.
November 15, 2017, 11:07 AM
http://www.artofthetitle.com/title/cleo-from-5-to-...
What would you do if you were waiting to hear from your doctor about a potentially fatal illness? How would time start to feel? Would it feel sharply accelerated or laboriously slow? You look in the mirror and remind yourself that you’re still alive. The bustle of life continues all around you, suddenly alien. Something feels definitively off.
November 15, 2017, 11:07 AM
http://www.artofvfx.com/thor-ragnarok-kevin-souls-...
Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.
November 15, 2017, 11:07 AM
http://www.creativefieldrecording.com/2017/11/15/s...
What sound effects can your gear capture? Last week’s post presented a chart of decibel levels for common sound effects. The article explored how equipment selections affect capturing sound subjects at different loudnesses.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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