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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

RØDE Lavalier GO - New Lavalier Mic to Pair with

July 31, 2019, 06:29 AM

https://www.cinema5d.com/rode-lavalier-go-new-lava...

The RØDE Lavalier GO is a new tiny lavalier microphone with a 3.5mm TRS jack connector. It contains a high-quality 4.5mm omnidirectional condenser capsule and a durable, kevlar reinforced cable. Though it is optimised for use with the RØDE Wireless GO, it will work with any device with a 3.5mm TRS mic input. Available now for US $79.

The very unique characteristics of a warthog's hai

July 31, 2019, 06:28 AM

https://beforesandafters.com/2019/07/31/the-very-u...

On The Lion King, MPC had its work cut out for it, just in terms of grooming furry animals. There are of course, a whole bunch of lions and hyenas, plus many other fur-covered African creatures. Even birds, like Zazu, used some of the same CG techniques used to make fur for their feathers.

Computer Graphics Market Will Reach $150 Billion b

July 31, 2019, 06:24 AM

https://www.studiodaily.com/2019/07/computer-graph...

The computer graphics market is in for a slow but steady rate of growth for the foreseeable future, according to a new report from analyst firm Jon Peddie Research (JPR). The post Computer Graphics Market Will Reach $150 Billion by 2022, Per Jon Peddie Research appeared first on Studio Daily.

Motion capture at SIGGRAPH 2019: go to the Moon wi

July 30, 2019, 03:49 PM

https://www.provideocoalition.com/motion-capture-a...

With NVIDIA’s demo of the Apollo 11 moon landing on display at SIGGRAPH 2019, everyone can walk on the moon just as Neil Armstrong and Buzz Aldrin did. No space suit needed! NVIDIA recently demonstrated that the Apollo 11 moon landing was not an hoax, and the company use its RTX technology to prove it.... The post Motion capture at SIGGRAPH 2019: go to the Moon with NVIDIA’s RTX demo appeared first on ProVideo Coalition.

Maxon intros Cinema 4D R21, consolidates versions

July 30, 2019, 03:49 PM

https://postperspective.com/maxon-intros-cinema-4d...

By Brady Betzel At SIGGRAPH 2019, Maxon introduced the next release of its graphics software, Cinema 4D R21. Maxon also announced a subscription-based pricing structure as well as a very welcomed consolidation of its Cinema 4D versions into a single version, aptly titled Cinema 4D. That’s right, no more Studio, Broadcast or BodyPaint. Continue reading → July 30, 2019 The post Maxon intros Cinema 4D R21, consolidates versions into one offering appeared first on postPerspective.

Bifrost for Maya: creating VFX quickly

July 30, 2019, 03:49 PM

https://www.provideocoalition.com/bifrost-for-maya...

Showcased at SIGGRAPH 2019, Bifrost for Maya makes it possible for 3D artists and technical directors to create serious effects in Maya quickly and easily using a new visual programming environment. Announced by Autodesk at the start of SIGGRAPH 2019, Bifrost for Maya will be available July 31 with Maya 2019.2. Bifrost makes it possible... The post Bifrost for Maya: creating VFX quickly appeared first on ProVideo Coalition.

How to Use Extend Script to Recreate Projects in A

July 30, 2019, 03:49 PM

https://lesterbanks.com/2019/07/how-to-use-extend-...

NT Productions shows how you can recreate a project at the click of a button. Are you getting into more scripting in After Effects? Then you should already know of Nathan Lovell’s tutorials that cover

Foundry's Nuke now part of Netflix's Post Techno

July 30, 2019, 09:44 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Foundry (www.foundry.com) has joined the Netflix Post Technology Alliance (https://pta.netflixstudios.com) with Nuke, its node-based compositor, which is now part of the “VFX” technology category. The Netflix Post Technology Alliance (PTA) program helps companies who build and market products used in the production and delivery of Netflix Original productions. The program is designed specifically for technology partners, including software and hardware developers of tools...

ART OF THE CUT with the editors of “Spider-Man:

July 30, 2019, 09:43 AM

https://www.provideocoalition.com/aotc-spidermanff...

Spider-Man: Far From Home was edited by veteran MCU (Marvel Comics Universe) editor, Dan Lebental, ACE, and another experienced big-budget editor, Leigh Folsom Boyd. Lebental’s credits include Dead Presidents, Elf, Iron Man (I and II), Cowboys and Aliens and many MCU films. Leigh Folsom Boyd’s filmography includes Fast and Furious (6 and 7), Ant-Man, and... The post ART OF THE CUT with the editors of “Spider-Man: Far from Home” appeared first on ProVideo Coalition.

Westlife’s The Twenty Tour Uses Blackmagic Desig

July 30, 2019, 09:43 AM

https://www.provideocoalition.com/westlifes-the-tw...

Blackmagic Design equipment ranging from the URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio 4K were used as part of a live production workflow by The LED Shed on the UK and Ireland legs of Westlife’s The Twenty Tour. Opening at Belfast’s SSE Arena, the UK and Ireland tour has... The post Westlife’s The Twenty Tour Uses Blackmagic Design Live Solutions appeared first on ProVideo Coalition.

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