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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Classic Course: Color Balance 2 –

July 8, 2019, 10:24 AM

https://www.provideocoalition.com/after-effects-cl...

In the previous post, we showed how to perform traditional color correction duties using the Color Balance effect. In this one, we’re going to share some more creative applications, including teaming it up with the Hue/Saturation (discussed a couple of posts ago):  This movie previously appeared in our Insight Into Effects course on Lynda.com/LinkedIn Learning.... The post After Effects Classic Course: Color Balance 2 – Creative appeared first on ProVideo Coalition.

Virtual Reality headsets give you VR, your own hom

July 8, 2019, 10:24 AM

https://www.provideocoalition.com/virtual-reality-...

With the right software, owners of Virtual Reality headsets can visit virtual worlds, but also watch movies in 3D and see their preferred movies on a 110-foot Bigscreen, at home. The new generation of VR headsets, covered here at ProVideo Coalition recently, serves for more than exploring virtual reality worlds. In fact, as suggested in... The post Virtual Reality headsets give you VR, your own home cinema, and even 3D appeared first on ProVideo Coalition.

Liquid Image

July 8, 2019, 10:24 AM

https://www.provideocoalition.com/liquid-image/

Liquid Image Two methods on applying images to particles in a liquid simulation. M7.1 First a note about this past week. As many people know by now, the town of Ridgecrest California has been hit by two major earthquakes back to back. A magnitude 6.4 on July 4th and a 7.1 on the night of... The post Liquid Image appeared first on ProVideo Coalition.

SHORT CUTS – KRYSTLE PENHALL

July 8, 2019, 06:33 AM

https://www.screeneditors.com.au/short-cuts-krystl...

Interview with Editor and Assistant Editor Krystle Penhall (With Jenny Kapp.)   For the past nine years Krystle Penhall has worked as an Editor and Assistant film Editor across both live action and full CG television and features. She currently works as a VFX Editor with Mill Film in Adelaide. The ASE asked Krystle to […]

ADOBE SHARED STORAGE IN PREMIERE PRO WORKSHOP –

July 8, 2019, 06:33 AM

https://www.screeneditors.com.au/adobe-shared-stor...

  (Photos courtesy of Fiona Strain ASE.) On 2nd May at Andy Kristiaman’s facility in Pyrmont’s Wework building, we held the first of this year’s combined AVPUG/ASE workshops to explore the shared storage scenario on Adobe Premiere Pro. Jon Barrie and Maude Rokvic were in the driver’s seat to explain to the 20+ attendees how […]

Mind your TCO

July 6, 2019, 08:22 AM

https://digitalfilms.wordpress.com/2019/07/05/mind...

TCO = total cost of ownership. When fans argue PCs versus Macs, the argument tends to only focus on the purchase price of the hardware. But owning a computer is also about the total operating cost or TCO over its lifespan. In the corporate world, IBM has already concluded Mac deployment has been cheaper for […]

ART OF THE CUT with “Chernobyl” editor, Simon

July 5, 2019, 09:01 AM

https://www.provideocoalition.com/aotc-chernobyl/

Editor Simon Smith has worked on a variety of TV series in the UK, including National Treasure, Electric Dreams, Victoria and Endeavour, among others. His latest assignment was the popular and buzz-worthy Chernobyl on HBO. (This interview was transcribed with SpeedScriber. Thanks to Martin Baker at Digital Heaven) This interview will also soon be available as a... The post ART OF THE CUT with “Chernobyl” editor, Simon Smith appeared first on ProVideo Coalition.

Blackmagic Design offers free DaVinci Resolve trai

July 5, 2019, 06:05 AM

https://www.provideocoalition.com/blackmagic-desig...

Los Angeles VidCon attendees can have free hands on DaVinci Resolve training sessions and see how YouTubers Bri Heart and Jervy Hou created their newest video using Blackmagic Design products. VidCon was founded by veteran YouTube creator Hank Green and was acquired by Viacom in 2018. This year VidCon US celebrates its 10th anniversary. VidCon... The post Blackmagic Design offers free DaVinci Resolve training at Los Angeles VidCon appeared first on ProVideo Coalition.

Editing with Final Cut Pro X on Location and Deliv

July 5, 2019, 06:05 AM

http://www.fcp.co/final-cut-pro/articles/2193-edit...

When broadcast transmission deadlines are tight, you need an NLE that's fast and robust. John Matthews describes his Final Cut Pro X workflow that enables him to deliver quick turnaround shows to the BBC with ease.

Creating a blood knife effect

July 3, 2019, 09:07 AM

https://www.provideocoalition.com/creating-a-blood...

Too often these days productions turn to CG to get their effects work done, when tried and true practical gags are more realistic, faster, and cheaper. Here we take a look at the blood knife effect, a knife that leaves a trail of blood wherever it travels. This is a whole lot less painful than... The post Creating a blood knife effect appeared first on ProVideo Coalition.

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