It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 30, 2016, 02:34 PM
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http://www.fcp.co/final-cut-pro/articles/1858-woul...
Would you like to contribute to the growing Final Cut Pro X community? We are looking for writers, bloggers and general FCPX enthusiasts to help keep the good news going on FCP.co.
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http://postperspective.com/behind-the-title-3d-art...
NAME: Trevor Kerr (@kerrmotion) WHAT’S YOUR JOB TITLE? I am a freelance 3D Generalist. WHAT DOES THAT ENTAIL? Most often a generalist like myself will tackle anything from layout to composite and everything in between. Continue reading →September 29, 2016
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https://www.digimediapros.com/keeping-your-post-pr...
Organization and project management are not very sexy topics, especially when it comes to post-production. But if you can find a way to organize your projects, files, and collaborators, you're bound to get more efficient and balanced. In this article by Clara Lehmann, she provides us with many tips and ideas on how to have a better and more organized post.
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http://www.videoguys.com/blog/film-editor-talks-in...
When you are in the midst of a creative moment, you don’t want to have to think about how your software works, you want to be able to navigate easily. Catch this Avid interview with editor Axel Geddes and his intuitive use of the Avid Platform. Making the Cut: Axel Geddes Talks the Intuitive Nature Read More The post Film Editor Talks About Intuitive Ease of Avid Platform appeared first on Videoguys Blog.
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Video essays are all the rage these days. If you're interested as a creator or connoisseur, here are some of the secrets to creating successful video essays.
September 27, 2016, 12:12 PM
http://www.videoguys.com/blog/matrox-monarch-hd-en...
Hammond Communications Selects Monarch HD H.264 Encoders for NCAA’s Webcasts Monarch HD transforms production company’s workflow and increases quality and reliability of press conference webcasts & recordings NCAA press conference webcast using Matrox Monarch HD H.264 streaming and recording appliance. Hammond Communications Group, a production company in Lexington, KY, US, carries out live, multi-camera productions Read More The post Matrox Monarch HD Encoder Selected for NCAA’s Webc...
September 27, 2016, 12:11 PM
http://www.fcp.co/final-cut-pro/articles/1857-test...
Editors Keys very kindly lent the site a backlit illuminated FCPX keyboard to try out. So why not take it out on a real job and use it under pressure? What was the verdict?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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