It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2018, 05:38 AM
https://fxfactory.com/blog/effects-2/image-sharpen...
Artifact-free sharpness enhancer for all your video.
December 19, 2018, 10:18 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Four films that Framestore worked on are on the shortlist for the “Best Visual Effects” Oscar at the 91st Academy Awards. The studio contributed visual effects services to Avengers: Infinity War, Christopher Robin, Mary Poppins Returns and Welcome to Marwen. The shortlist currently contains 10 films titles, which will ultimately be narrowed to five in January to create this year’s list of nominees.
December 19, 2018, 10:17 AM
http://www.fcp.co/final-cut-pro/articles/2136-some...
'Tis nearly the holiday season, so time to wrap up a few loose ends and a couple of items we missed over the last week. Some updates, a new product and a lot of reading to be done over the festive break!
December 19, 2018, 06:17 AM
https://filmschoolrejects.com/practical-effects-ha...
The visual effects category at the Academy Awards has historically been more genre-friendly than the others. From 1976 to 1993, every winner of that award (including Star Wars, Aliens, ET the Extra-Terrestrial, and Logan’s Run) had some genre-tilt that required special effects to bring its elements to life. But what made their achievements differ from modern Best Visual Effects winners is that before 1994 the nominees primarily featured practical effects.
December 18, 2018, 07:12 AM
https://postperspective.com/new-codec-workflow-opt...
By Mike McCarthy There were two announcements last week that will impact post production workflows. The first was the launch of Red’s new SDK, which leverages Nvidia’s GPU-accelerated CUDA framework to deliver realtime playback of 8K Red footage. I’ll get to the other instance shortly. Nvidia was demonstrating an early version of this technology at Adobe Max in October, Continue reading → December 17, 2018 The post New codec, workflow options via Red, Nvidia and Adobe appeared fir...
December 17, 2018, 12:47 PM
https://nleninja.wordpress.com/2018/12/17/nodes-3-...
It’s been four years since Nodes 2 became available and in that time it has become an invaluable tool for many motion graphic artists across the world. This intricate plugin gives user the ability to create complex motion graphics in very little regardless if you are beginner or expert motion graphic artist. You may have... Read More in Nodes 3 Review
December 17, 2018, 11:45 AM
https://www.premierebro.com/blog/motion-array-goes...
Get All Your Premiere Pro Assets (And Lots More!) From The Most Affordable Stock Media Site On The Web. Stock media marketplace, Motion Array, has announced that they will be transitioning to an unlimited subscription model, giving users access to its full range of products and services for just $16 per month!
#editing#adobe#premiere pro#premiere#motion arrayDecember 16, 2018, 08:58 AM
https://digitalfilms.wordpress.com/2018/12/15/buil...
In the past, software was bought in a shrink-wrapped package with a single license to run the application on one computer. But trends change, with options today ranging from a one-time purchase, or a purchase plus a subscription for updates, all the way over to a total subscription model. While Adobe is the company most […]
December 14, 2018, 12:46 PM
https://www.premierebro.com/weekinpr/week-in-premi...
PREMIERE PRO WEEK IN REVIEW: Premiere Pro CC 2019 (13.0.2) Update Now Available • Adobe Adds Support for ProRes Export on Windows • Win a FREE PC Workstation by Puget Systems • FREE Webinar—Premiere Rush: Beyond the Basics
#editing#adobe#premiere pro#premiere#adobe premiereDecember 13, 2018, 10:18 AM
https://fxfactory.com/blog/effects-2/handheld-effe...
Simulate handheld camera moves and effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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