To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Editing With DaVinci Resolve Speed Editor
December 11, 2020, 02:05 PM
https://www.premiumbeat.com/blog/davinci-resolve-s...
See where the Davinci Resolve Speed Editor fills in the gaps left by the DaVinci Resolve Keyboard and how it can speed up your workflow.
4 Basic Editing Hacks in Premiere Pro You Need to
December 10, 2020, 02:15 PM
https://www.premiumbeat.com/blog/premiere-pro-edit...
From creating your own keyboard shortcuts to audio gain, today we'll discuss some basic Premiere Pro editing hacks.
Babylon Berlin (Season 3) (2020)
December 10, 2020, 02:12 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Zu asche, zu staub. Zu asche. Doch noch nicht jetzt.” RSS & Email Subscribers: Check out the full Babylon Berlin (Season 3) article at Art of the Title.
Simon Says Assemble: video editing made simple
December 10, 2020, 02:12 PM
https://www.provideocoalition.com/simon-says-assem...
The leading timecode-based AI transcription platform for video professionals, Simon Says, announced Simon Says Assemble, a solution to make video editing as simple as copying and pasting text. It’s an entirely new way to edit video, says Simon Says, introducing Simon Says Assemble, a new product and significant expansion to the Simon Says platform. This [...]Read More...
*True Crime argentino*, por Lautaro Colace (SAE) y
December 6, 2020, 09:40 PM
http://saeditores.org/Novedades/True-Crime-argenti...
Los editores de la recientemente estrenada docu-serie "Carmel, ¿quién mató a María Marta?" nos cuentan su experiencia.
La SAE otorgó el Premio al Mejor Montaje en el 35
December 3, 2020, 01:49 PM
http://saeditores.org/Novedades/La-SAE-otorgo-el-P...
El jurado, integrado por Ana Godoy (SAE), Josefina Llobet (SAE) y Damián Bericat (SAE) otorgó el Premio al Mejor Montaje entre todos los largometrajes argentinos que participaron en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.
ART OF THE CUT with Gabriel Rhodes on editing the
December 2, 2020, 01:54 PM
https://www.provideocoalition.com/aotc-time/
Today, I talk with Gabriel Rhodes about a feature documentary that has Oscar buzz – Garrett Bradley’s Time. Gabriel’s credits include Matangi/Maya/M-I-A (which won the Special Jury Prize at Sundance 2018). Also, the documentaries, Newtown, The Witness, 1971, The Tillman Story, Without Shepherds, and Quest For Honor – some of which were shortlisted for Oscar consideration. [...]Read More...
*El taxi de los sueños*: Hablemos del tiempo
November 28, 2020, 02:35 PM
http://saeditores.org/Novedades/El-taxi-de-los-sue...
Este sábado 28 de Noviembre conversamos con Miguel Schverdfinger sobre la percepción, construcción y manipulación del tiempo en el relato cinematográfico. La charla será moderada por César Custodio (SAE).
Final Destination: The Title Sequences (2000)
November 26, 2020, 01:40 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For most successful horror film franchises, the river to box-office gold runs crimson with the blood of gleefully slaughtered teens. Nowhere is this more evident than in the Final Destination series, which celebrated its 20th anniversary in 2020. Over a ten-year period and five films (with a reboot on the way), the franchise raked in over $650 million at the box office for New Line Cinema, with a total kill count of 496; pretty decent numbers for a series lacking a corporeal villain. In the ...
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