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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Week in Premiere 11/30/18

November 30, 2018, 01:48 PM

https://www.premierebro.com/weekinpr/week-in-premi...

PREMIERE PRO WEEK IN REVIEW: The Best NLE According to 116 Expert Video Editors • 15 FREE Text and Image Animation Presets for Premiere Pro • 5 Tips and 5 Fixes for Premiere Pro • The Cutest Premiere Pro Tutorial Ever

#editing#adobe#premiere pro#premiere#adobe premiere
Method Leads the Charge with VFX in Outlaw King

November 30, 2018, 10:30 AM

http://www.cgw.com/Press-Center/In-Focus/2018/Meth...

Director David Mackenzie shot on location in Scotland, with the aim of making every aspect of the film as historically accurate as possible. Mackenzie and production VFX Supervisor Alex Bicknell entrusted Method Studios to achieve the desired authenticity through invisible yet complex visual effects.

Chaos Group ships V-Ray Next for 3ds Max Update 1

November 30, 2018, 06:56 AM

http://www.cgchannel.com/2018/11/chaos-group-ships...

Chaos Group has released V-Ray Next for 3ds Max Update 1, the latest version of the 3ds Max edition of the renderer, improving interactive performance and extending GPU rendering.

Capturing realistic dialogue for The Front Runner

November 29, 2018, 01:30 PM

https://postperspective.com/capturing-realistic-di...

By Mel Lambert Early on in his process, Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading → November 29, 2018 The post Capturing realistic dialogue for The Front Runner appeared first on Randi Altman's postPerspective.

Water-Inspired Effects for Final Cut Pro X

November 29, 2018, 10:10 AM

https://fxfactory.com/blog/effects-2/water-inspire...

64 water-inspired titles, logo animations and transitions in your hands to get your juices flowing!

Efilm handles color finishing on Creed II

November 29, 2018, 07:13 AM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Director Steven Caple Jr’s sophomore feature Creed II (www.creedthemovie.com), from Metro Goldwyn Mayer Pictures and Warner Bros. Pictures, chronicles the next chapter of the Adonis Creed story. The film follows the young boxer’s life as he deals with a fearsome new opponent, his newfound fame, and his father Apollo’s legacy.  Creed II stars Michael B. Jordan and Sylvester Stallone. 

Useful Tools for Editors - After Thanksgiving Edit

November 27, 2018, 06:15 AM

https://www.provideocoalition.com/useful-tools-for...

The turkey is gone, Black Friday, Small Business Saturday and Cyber Monday have passed. Here are some interesting, cool and useful tools I’ve noticed and noted over the last 6 months since we published the last Useful Tools for Editors.

Live Foley: Interview with Goro Koyama

November 26, 2018, 09:51 AM

http://designingsound.org/2018/11/26/live-foley-in...

Goro Koyama is a Toronto based foley artist and native of Japan. He won an MPSE for his work on Blade Runner 2049 and you can hear more of him in the upcoming film, Creed II. Goro recently travelled to New York City to perform foley live at the Japan Society for 450 people. With […]

Behind the Title: Weta Digital’s Paolo Emilio Se

November 26, 2018, 09:51 AM

https://postperspective.com/behind-title-weta-digi...

NAME: Paolo Emilio Selva  COMPANY: Weta Digital CAN YOU DESCRIBE YOUR COMPANY? In the middle of Middle-earth, Weta Digital is a VFX company with more than a thousand artists and developers. While focusing on delivering amazing movies, Weta Digital also focuses on research and development for VFX.  Continue reading → November 26, 2018 The post Behind the Title: Weta Digital’s Paolo Emilio Selva appeared first on Randi Altman's postPerspective.

3 Ways to Adjust The Speed of a Clip in Premiere

November 24, 2018, 06:43 AM

https://www.rocketstock.com/blog/adjust-speed-clip...

No matter the experience or number of projects you’ve worked on in Premiere, you probably have a set workflow for whatever you’re editing. But, every now and then, we try something new that challenges us as filmmakers, editors, and artists. So, let’s take a look at three different ways you can play with speed and time in Premiere Pro. Don’t be scared, they’re super simple.

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