It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 23, 2018, 02:14 PM
https://www.premierebro.com/blog/adobe-max-2018-wr...
Recap Of Adobe MAX 2018 Highlights, Premiere Rush CC And Adobe Sneaks! Catch the best parts of the latest Creative Cloud release, including several Adobe sneak peaks, in this report from the ground at Adobe MAX 2018.
#adobe#premiere pro#premiere#max#premiere rushOctober 23, 2018, 09:49 AM
http://designingsound.org/2018/10/23/interview-bij...
The topic this month is LoFi and I know just who to turn to, Bijan Sharifi from Berkeley Sound Artists. Bijan has worked on many films of various styles, but has focused a lot of time on documentaries. With over 75 films under his belt, he knows how to get the right LoFi sound when […]
October 22, 2018, 08:51 AM
http://www.fcp.co/final-cut-pro/articles/2121-refu...
Rusty Earl returns to FCP.co with another great Final Cut Pro X user story. This time, a story made with a shared workflow with student editors. How did it work and how did they get around project slow downs?
October 22, 2018, 04:36 AM
https://www.provideocoalition.com/solutions-to-res...
One of the great features of Resolve is that it works in 32bit float. This means that it can cope with a virtually limitless dynamic range, and, most importantly, it will conserve that range however much you raise or lower the video levels from one node to another.
October 21, 2018, 01:08 PM
https://lesterbanks.com/2018/10/the-truth-about-al...
Niceshit Studios were commissioned by the RSA London to develop an animation to go along the words of the always amazing Cathy O’Neil. She is a kickass mathematician and In this excerpt she focus on algorithms,
October 21, 2018, 07:31 AM
http://filmcourage.com/2018/10/20/the-reality-abou...
Film Courage: You said something earlier on writing something which you are precious about, that at some point there is a letting go process knowing once it’s out of your hands it may be changed?
October 20, 2018, 02:41 PM
https://postperspective.com/adobe-launches-premier...
At the Adobe Max Creativity Conference, Adobe introduced Adobe Premiere Rush CC, the first all-in-one video editing app for social media creators that simplifies video creation and sharing on platforms such as YouTube and Instagram. Designed specifically for online video creators, Premiere Rush CC integrates capture, intuitive editing, simplified color, audio and motion graphics with seamless publishing to leading social platforms, Continue reading → October 20, 2018 The post Adobe laun...
October 20, 2018, 06:50 AM
http://vanhurkman.com/wordpress/?p=3796
A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.
October 19, 2018, 12:11 PM
https://lesterbanks.com/2018/10/c4d-fields-paramet...
Jonas Pilz Shows How You Can Make Parametric Selections by Using C4D’s Fields. C4D R20 fields are already proving to be a great addition to C4D’s toolset. Fields entirely replace C4D Falloffs, but the best
October 19, 2018, 09:39 AM
https://www.premierebro.com/weekinpr/week-in-premi...
PREMIERE PRO WEEK IN REVIEW: Premiere Pro CC 2019 Highlights and New Features • Adobe Releases Premiere Rush CC • First Premiere Pro CC 2019 and Premiere Rush CC Tutorials • FREE Stuff: Making Mogrts eBook, 21 Mogrt Templates, & More!
#adobe#premiere pro#premiere#rush#2019
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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