It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 7, 2015, 09:31 AM
http://www.thecredits.org/2015/10/watch-this-conce...
As any film lover knows, there’s not a single moment of screen time that wasn’t conceived of and laboriously created by scores of people. This is especially true for end credits, and it’s extra especially true for Marvel films, where extra scenes and crucial information is often embedded. We’ve all seen the shawarma scene in the credits from 2012’s The Avengers. Title sequences and end credits are the first and last thing you see in a film, and they are the artistic playground of an en...
October 7, 2015, 09:31 AM
http://filmschoolrejects.com/features/12-ways-to-b...
This year has produced three of the highest-grossing films of all-time (Furious 7, Age of Ultron, Jurassic World) and devoted fans have something fun to watch every week. Yet, even with millions of passionate fans driving those blockbusters to immortality, it has never been a worse time to go see a movie.
October 7, 2015, 09:30 AM
http://www.premiumbeat.com/blog/protect-your-proje...
Don't get sued! Protect yourself with these tips for blurring out faces and logos in After Effects.
October 7, 2015, 09:29 AM
http://www.premiumbeat.com/blog/quick-tip-audio-sy...
Audio syncing in Premiere Pro CC is an often-overlooked feature, but it can save you a lot of time when editing.
October 7, 2015, 09:29 AM
http://www.videoguys.com/blog/video-storage/watch-...
At this past IBC show G-Tech announced some really cool new products coming to the G-Tech Evolution Series of video/photo storage solutions. I am extremely excited about 2 of them. The new G-Speed Studio XL configured with 6 drives and 2 G-Drive ev bays is going to be a killer. 6 drives in RAID 5 Read More The post Watch how the G-Tech Evolution Series is Evolving Storage Workflows appeared first on Videoguys Blog.
October 7, 2015, 05:16 AM
http://www.redsharknews.com/post/item/2941-re-viso...
RE:Vision Effects has expanded the compatibility of its anti-flicker plugins to encompass OpenFX. Phil Rhodes comes away impressed. RE:Vision EffectsDE:FlickerFlickerBandingPluginsOpenFX
October 6, 2015, 04:50 PM
http://www.provideocoalition.com/after-effects-hid...
When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical “filmic” setting), you will get natural motion blur. However, if your shutter speed is too fast, or if you rendered a 3D scene with fast motion and no motion blur, objects will appear to jump from location to location between frames, resulting in distracting stuttering or strobed motion. Fortunately, you can “fix it in post” with a few different effects out there, including ...
October 6, 2015, 01:19 PM
http://www.fastcompany.com/3051713/hit-the-ground-...
Eureka moments are rare. The backstory behind great ideas is often more complex and winding than having an apple fall on your head. But the best part is that creative ideas aren’t reserved for a special group of people; they can come to anyone if you change your mind-set.
October 6, 2015, 01:19 PM
http://www.premiumbeat.com/blog/how-to-organize-a-...
Organize your feature film edit like the editor of Mission Impossible: Rogue Nation, Eddie Hamilton.
October 6, 2015, 01:18 PM
http://www.premiumbeat.com/blog/8-essential-cuts-e...
These essential cuts will help any editor transform their footage into a gripping, solid narrative.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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