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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid NEXIS Shared Storage provides more efficiency

December 23, 2016, 03:36 PM

http://www.avidblogs.com/avid-nexis-shared-storage...

For its digital post production, CINE PLUS has optimized workflows efficiency and reduced operating costs with Avid NEXIS E4 and NEXIS I PRO storage. The article Avid NEXIS Shared Storage provides more efficiency and tightly integrated solutions at CINE PLUS by Alexandra Maier appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Recreating the Assassin’s Creed Movie Title in F

December 23, 2016, 07:28 AM

http://www.fcp.co/final-cut-pro/tutorials/1910-rec...

Following on from Dylan Higginbotham's very successful Fantastic Beasts and Rogue One movie title recreations in Final Cut Pro X, he's back with great tutorial. This time he builds the Assassin's Creed movie title in FCPX.

New import experience with Raw Technology Preview

December 23, 2016, 07:28 AM

http://blogs.adobe.com/contentcorner/2016/12/23/ne...

“Lightroom has always been about helping you get the most out of your images, and with Lightroom for Android 2.2, you can now import raw files directly into your Android device. The Raw Technology Preview makes it possible for you to connect your camera to your Android device and import photos directly from your camera. With this Technology Preview now available for Android (released for iOS in July of this year), you can capture, edit, and share raw photos, in full resolution, and have ac...

Get Started Fast with Media Composer for Adobe Edi

December 23, 2016, 07:27 AM

http://www.provideocoalition.com/get-started-fast-...

This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! I always find these tutorials to be a little tricky to…..”get right”.  Many editors might think that this is a tutorial series designed to The post Get Started Fast with Media Composer for Adobe Editors — Part 1 appeared first on ProVideo Coalition.

Colorist Jack Lewars on Sunny but Grief-Stricken M

December 22, 2016, 01:19 PM

http://www.studiodaily.com/2016/12/colorist-jack-l...

If there's one thing that's important to know about Manchester by the Sea, it's that it is a sad movie. In an emotionally fraught but carefully controlled performance, Casey Affleck plays Lee Chandler, a quiet Boston handyman whose life is turned upside-down … more » The post Colorist Jack Lewars on Sunny but Grief-Stricken Manchester by the Sea appeared first on Studio Daily.

Get Started Fast with Media Composer for Adobe Edi

December 22, 2016, 01:19 PM

http://www.avidblogs.com/get-started-fast-with-med...

In the third episode of our new tutorial series "Get Started Fast with Media Composer for Adobe Editors", editor Kevin P. McAuliffe shows us the fundamentals of Media Management inside of Media Composer. The article Get Started Fast with Media Composer for Adobe Editors — Part 3 by Kevin P McAuliffe appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Spanish Post Production Manager and Senior Editor

December 22, 2016, 01:18 PM

http://www.fcp.co/final-cut-pro/articles/1909-span...

  In his presentation at the FCP X TOUR Barcelona, David López walked us through the NLE testing process they went through for Salvados, a hugely popular prime time TV show in Spain. Moving forward from FCP7 they considered Avid and tested DaVinci Resolve, FCP X and Premiere Pro CC. They finally adopted Final Cut Pro X, and David explains why exactly the other NLEs were not selected. Video included!

'La La Land': Magic, Music and Media Management

December 22, 2016, 01:18 PM

http://www.creativeplanetnetwork.com/news/edit/la-...

As well as being a common euphemism for Los Angeles, La La Land is the name of writer/director Damien Chazelle’s newest film, a musical romance set in modern day L.A. A decade ago Chazelle shopped the La La Land script around town without much success and so moved on to another film project, Whiplash, which he wrote and directed. That film’s five Academy Award nominations, including Best Picture, and three wins went a long way toward generating interest in and securing funding for the exuber...

Why Final Cut Pro X? A Preditor’s POV

December 22, 2016, 05:11 AM

http://www.provideocoalition.com/final-cut-pro-x-p...

I tell people straight up that FCP X  is the best NLE I have ever used:  Sean Lander – Preditor Sean Lander is an award-winning editor and producer from Melbourne, Australia. He has also been an accredited Avid trainer. Sean is part of a team working on a four-part prime-time investigative documentary television series. He The post Why Final Cut Pro X? A Preditor’s POV appeared first on ProVideo Coalition.

Tim Cook says Apple is committed to the desktop. B

December 21, 2016, 06:29 PM

http://www.redsharknews.com/technology/item/4232-t...

A recent message from Apple’s Tim Cook to the company’s employees seems to allay fears that the Cupertino company is preparing to ditch the desktop. Until, that is, you read it a bit more closely. ApplemacOS iosTim CookApple futureDesktop

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