To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Performance auditions in Final Cut Pro X
September 23, 2015, 09:34 AM
http://www.provideocoalition.com/performance-audit...
6 Filmmaking Tips From David Fincher
September 23, 2015, 09:32 AM
http://filmschoolrejects.com/features/6-filmmaking...
Perfectionist. Demanding. Hard to work with. David Fincher is a man who hates his own brand but is secure in his own reputation. Of course, it’s a little bit easy when that reputation includes stunning movies and a mind that can operate at an auteur speed in the high-occupancy Hollywood studio lane.
The Greatest Openings in Film History
September 22, 2015, 12:11 PM
http://www.premiumbeat.com/blog/the-greatest-openi...
A solid opening sets the tone for the rest of the narrative. Let's take a good look at a few of the greatest openings in film history.
The end of shaky videos
September 22, 2015, 12:10 PM
http://www.provideocoalition.com/the-end-of-shaky-...
13 Must-Have Adobe CC Keyboard Shortcut Cheat Shee
September 22, 2015, 12:10 PM
http://prodesigntools.com/adobe-cc-keyboard-shortc...
Here’s a very handy new resource just out from Jamie Spencer – the complete set of ultimate keyboard shortcut cheat sheets for every major Adobe CC application… These comprehensive sheets can save you loads of time every day by speeding up your work and allowing you to bypass the need for mouse clicks and movements, getting you to the function you need in the fastest possible way.
The Inner Workings of Work
September 22, 2015, 09:44 AM
http://designingsound.org/2015/09/the-inner-workin...
In my relatively short career, I’ve been fortuna […]
Narcos (2015)
September 22, 2015, 05:02 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Silver or lead? You decide.” — Pablo Escobar ...
resolution 72, Avid Pan & Zoom
September 22, 2015, 05:00 AM
https://blogs.creativecow.net/blog/13884/resolutio...
I have been seeing video in the Avid as 72 pixels per inch (Bitmap not vector talking here)? If this Video was printed, the 72 is basically not 200, where if the graphic had 200 pixels per inch, then there would be rounder shapes of more detail included, while 72 has less detail.
After Effects Hidden Gems Weekly: Preserve Frame R
September 21, 2015, 04:51 PM
http://www.provideocoalition.com/after-effects-hid...
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery if you don’t. One example of this is the subject of frame rates: Normally, the last comp in a chain determines what frame rate will be used by all the precomps, and this can be overridden again the Render Settings. But what if you really, really need to lock down a precomp’s frame rate, because you’re creating stop motion, have a mask tracked to every frame of footage, etc.? The sec...
Post Production workflow for feature film "War Ro
September 21, 2015, 04:51 PM
http://www.provideocoalition.com/post-production-w...
This is the second in a three part series on the post production workflow of the Number 1 movie, "War Room." This part details the DI conform, color grade and DCP creation.
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Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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