It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2017, 12:58 PM
http://lesterbanks.com/2017/05/can-drive-mash-attr...
Maya’s motion graphics toolkit sees as much integration as anything else in Maya. You can mix and match MASH with any other tools that are available, from joints to soft bodies, to fluids. In fact, The Post You Can Drive MASH Attributes With Fluids originally appeared and published on %%BLOGLINK%,by lesterbanks
May 10, 2017, 12:58 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Danny, some shit you just can't punch.” — Claire Temple ...
May 10, 2017, 12:58 PM
http://www.creativefieldrecording.com/2017/05/10/2...
Last week I saw an interesting conversation appear on Facebook. Field recordist and sound designer Charles Maynes created a post in the Independent Sound Effects group to discuss establishing a standard for audio levels in sound effect libraries. It’s a valuable idea. In fact, I’ve received a handful of messages from readers about this in the last three months alone.
May 10, 2017, 09:17 AM
https://edaeditores.org/19-bafici-clase-magistral-...
El realizador italiano Nanni Moretti visitó la 19ª edición del BAFICI que incluye una retrospectiva de toda su filmografía y la presentación del libro Ecce Nanni: El testigo crítico“. Además, el pasado 20 de Abril ofreció una clase magistral en la que aprovechó para contar cómo trabaja el montaje de sus películas: La relación entre […]
May 10, 2017, 09:17 AM
https://edaeditores.org/19-bafici-encuentro-con-st...
Stéphane Brizé, director francés, estuvo en Buenos Aires para acompañar la retrospectiva que le dedica la 19ª edición del BAFICI. Durante su visita por Argentina ofreció el pasado 23 de Abril una charla dentro del marco del festival, en la que le preguntaron sobre su relación con el montaje: Yo estoy siempre presente en los […]
May 10, 2017, 09:17 AM
http://filmmakermagazine.com/102417-a-message-from...
It’s a fraught moment for any director — “locking picture,” with all the finality the term signifies. But, as a panel on “Scoring for Television & Film” at the recent Independent Film Festival Boston (IFFBOSTON) revealed, for composers it’s a vital stage in their process of scoring a film.
May 10, 2017, 05:02 AM
http://www.digitalproductionbuzz.com/2017/05/digit...
Join host Larry Jordan as he talks with Ned Soltz, Michele Yamazaki, Michael Kammes, Gary Watson, Philip Hodgetts and James DeRuvo. Ned Soltz: Trends from NAB 2017 Philip Hodgetts: Highlights from NAB 2017 Michele Yamazaki: Was NAB 2017 a Bust? Michael Kammes: Highlights of 2017 NAB Customized Storage, Designed for Media The Weekly DoddleNEWS Update The post Digital Production Buzz- May 11, 2017 appeared first on Digital Production BuZZ.
May 10, 2017, 05:01 AM
http://www.studiodaily.com/2017/05/dolby-presents-...
Directed by Limbert Fabian and Brandon Oldenburg — formerly of Moonbot Studios and now at Flight School — set to original music by Imogen Heap and conceived for the Dolby Vision and Dolby Atmos picture and sound formats, “Escape” is designed to induce blissful audiovisual immersion. Credits DIRECTORS Limbert Fabian Brandon Oldenburg EXECUTIVE PRODUCERS Lampton Enochs […] The post Dolby Presents: Escape, an animated short appeared first on Studio Daily.
May 10, 2017, 05:00 AM
http://www.cgmeetup.net/home/pixar-regularized-kel...
We introduce a new technique for real-time physically based volume sculpting of virtual elastic materials. Our formulation is based on the elastic response to localized force distributions associated with common modeling primitives such as grab, scale, twist, and pinch.
May 9, 2017, 05:12 PM
http://www.videoguys.com/blog/nab-2017-changing-po...
The staff, at No Film School and created a great guide to the changes in post production reflecting the new technologies release at NAB 2017. In-Depth with Blackmagic DaVinci Resolve 14 at NAB 2017 These new programs are going to make your life a heck of a lot easier. No Film School pumped out 85 Read More The post How NAB 2017 is Changing Post-Production appeared first on Videoguys Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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