To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Does Media 100 (still) make sense for your post-pr
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Sometimes a reframing…
September 1, 2015, 11:15 AM
http://www.davidbordwell.net/blog/2015/09/01/somet...
Side Street (1949). DB here: …just knocks you out. “It can only be fully recommended to those who have a deep and morbid interest in crime.” Snooty judgments like this made Bosley Crowther the critical joke of generations. Today film lovers wear their deep and morbid interest in crime as a badge of honor. Especially […]
Seagate Delivers Industry's Broadest Portfolio
September 1, 2015, 11:12 AM
http://www.legitreviews.com/seagate-delivers-new-8...
New Enterprise Capacity 3.5, Enterprise NAS and Kinetic HDDs Reach New Highs in Capacity, Reliability, and Lower Total Cost of Ownership for Multiple Market Segments...
Media Composer 101 - ADVANCED - Archiving Your Pro
September 1, 2015, 04:39 AM
http://www.provideocoalition.com/media-composer-10...
In this lesson, Kevin P McAuliffe shows you how to archive your project using only the included tools in Avid Media Composer.
*Herramientas de montaje* por Miguel Pérez (SAE)
September 1, 2015, 04:39 AM
http://saeditores.org/Novedades/Herramientas-de-mo...
En el marco del Mercado de Industrias Culturales Argentinas, MICA, el viernes 4 de septiembre a las 15 horas, Miguel Pérez (SAE) brindará la charla Herramientas de montaje. Organizada por la SAE, la charla tendrá lugar en Centro Cultural Kirchner (Sarmiento 151, CABA), en el auditorio 612 del piso 6, con entrada libre y gratuita.
*Indio*, por César Custodio (SAE)
August 31, 2015, 05:08 AM
http://saeditores.org/Novedades/Indio-por-Cesar-Cu...
Una síntesis personal de la edición por sus artífices.
WDBJ editor watched tragedy unfold from unique per
August 30, 2015, 06:32 AM
http://www.cbsnews.com/news/wdbj-editor-watched-hi...
WDBJ editor Michael Episcopo was working behind the scenes Wednesday morning.
Expanding your Editorial Toolkit - Boris Red 5.5
August 29, 2015, 01:04 PM
http://www.provideocoalition.com/expanding-your-ed...
Are you an Editor who finds After Effects to be a bit too daunting? There are other tools out there to help take your work to the next level, and Boris FX's RED 5.5 is definately one of them!
Week in Premiere 8/28/15
August 28, 2015, 09:58 AM
http://www.premierebro.com/weekinpr/week-in-premie...
Check out this week's Premiere Pro news and tutorials in #WeekinPr, a weekly digest of trending Premiere Pro Tweets. This Week in Premiere: •Premiere Pro "Now You Knows" •Legalizing color with the Video Limiter effect •Two interviews: the origin and future of Premiere Pro •Smosh and the Creative Cloud suite
#premiere pro#tutorials#news#tips#week in premiereTips For Keeping A Long Dialogue Scene Visually In
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http://www.premiumbeat.com/blog/tips-keeping-long-...
No matter how great your writing might be, after a couple of minutes just about any heavy dialogue scene can feel boring. Here’s how to keep things interesting on those longer takes.
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