To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Color Grading Jaguar-Poaching Documentary Tigre Gente
July 23, 2021, 08:41 AM
https://postperspective.com/color-grading-jaguar-p...
Goldcrest Post in New York City has provided post services for Tigre Gente, director Elizabeth Unger’s feature documentary about jaguar trafficking. Senior colorist Steve Beganyi worked with Unger to finalize the look of the film, which shows how the Latin American animal is being hunted to extinction to satisfy illegal demand for its teeth and other artifacts in distant parts of the world. Continue reading → July 22, 2021 The post Color Grading Jaguar-Poaching Documentary Tigre Gente...
VFX Supervisor Damien Stumpf joins Framestore Montreal
July 22, 2021, 09:05 AM
https://postperspective.com/vfx-supervisor-damien-...
Framestore in Montreal has added Damien Stumpf to its team as VFX supervisor. Stumpf brings over two decades of experience to Framestore, including working on independent and feature films. His latest high-profile project as VFX supervisor was Cruella, which saw him work closely with the film’s director, Craig Gillespie, and the film’s overall VFX supervisor, Continue reading → July 21, 2021 The post VFX Supervisor Damien Stumpf joins Framestore Montreal appeared first on postPerspective.
An Art of the Frame interview with editors of LEGO MASTERS
July 22, 2021, 09:04 AM
https://www.provideocoalition.com/an-art-of-the-fr...
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO MASTERS. You can subscribe to the Art of the Frame podcast on Anchor, Apple Podcasts, Spotify or wherever you catch your podcasts. The podcast will publish on Tuesday, July 27. This is a cleaned-up transcript of three [...]Read More...
The Mysterious Benedict Society Philippe Thibault
July 22, 2021, 09:04 AM
https://www.artofvfx.com/the-mysterious-benedict-s...
Philippe Thibault has been working in visual effects for over 20 years. He is the co-founder of the studio FOLKS. He has worked on various shows such as 12 Monkeys, Arrival, Shadowhunters: The Mortal Instruments and Jupiter’s Lagacy.
A Quiet Place Part II Scott Farrar ASC Overal
July 20, 2021, 09:00 AM
https://www.artofvfx.com/a-quiet-place-part-ii-sco...
Back in 2018, Scott Farrar explained ILM‘s work on A Quiet Place. He’s back today to tell us about the sequel to that film.
American Psycho Business Card Scene — Complete Breakdown
July 19, 2021, 09:01 AM
https://www.studiobinder.com/?p=111890
If you’ve worked in an office, you know… the business card means everything. In a world dominated by cell phones, tech, and social media, the business card closes the deal. No one knows this more than Patrick Bateman. Of all the business cards in history, one card reigns supreme — Paul Allen’s card from the American Psycho Business Card Scene. Today, you’ll learn all about it. What makes the scene so iconic? What’s the font? Continue reading American Psycho Business Card Scene — C...
Inside the World of Color with Acclaimed Colorist Stephen Nakamura
July 16, 2021, 08:57 AM
http://manhattaneditworkshop.blogspot.com/2021/07/...
Colorist Stephen Nakamura spoke with Filmmaker U to talk about his prolific career. His feature film credits include Da Five Bloods, Sicario: Day of the Soldado, It: Chapter Two, Crazy Rich Asians, The Martian, Alien: Covenant and many more blockbuster epics and award winners.Among the most accomplished feature film colorists in Hollywood, Stephen Nakamura has worked alongside directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, David O. Russell, and Steven Spielberg, as...
Improve Your Workflow: How to Cut Clips in After Effects
July 16, 2021, 08:57 AM
https://www.premiumbeat.com/blog/cut-clips-after-e...
Learn how to cut a clip in After Effects. It’s a quick, easy way to add a new skill and streamline your workflow. Trying to cut a …
Tribeca: False Positive Editor Jon Philpot
July 16, 2021, 08:56 AM
https://postperspective.com/tribeca-false-positive...
False Positive is a social satire, a horror, a thriller and an assemblage of microaggressions that eventually explode. After difficult struggles with fertility, loving couple Lucy (Ilana Glazer) and Adrian (Justin Theroux) seem to have finally found their potential savior in the charming and world-renowned reproductive specialist Dr. Hindle (Pierce Brosnan). Shot on Red Helium by DP Pawel Pogorzelski, Continue reading → July 15, 2021 The post Tribeca: False Positive Editor Jon Philpot a...
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