It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 14, 2022, 08:29 AM
https://postperspective.com/behind-the-title-envy-...
Edwin Metternich is senior colorist at Envy London, an end-to-end post facility offering offline, grading, VFX, online and sound design. A veteran colorist, Metternich worked at Framestore and Glassworks prior to joining Envy. Let’s find out more about Metternich and how he works… As a colorist, Continue reading → January 13, 2022 The post Colorist Chat: Envy’s Edwin Metternich appeared first on postPerspective.
January 14, 2022, 08:29 AM
http://www.philiphodgetts.com/2022/01/synthesizing...
I became aware of Synthesia.io when researching my articles on Amplified Creativity. More accurately when I was updating my article just before publication three months later, and I had to rewrite my “three years out” prediction for something like the Synthesia service, because it became a reality within that three month window! Yesterday I became […] The post Synthesizing Human ‘Performance’ first appeared on The present and future of post production business and technology.
January 14, 2022, 08:28 AM
https://postperspective.com/review-digital-anarchy...
By Brady Betzel One of the most underpromoted features in nonlinear editing is editing from a script. Avid Media Composer’s ScriptSync has been the gold standard for years. Over the past few years, as AI-based transcription has become more popular, there have been a few other options popping up. Recently, Adobe Premiere Pro has added AI-based transcription included in the cost of the Creative Cloud price. Continue reading → January 13, 2022 The post Review: Digital Anarchy’s Transcriptive ...
January 14, 2022, 08:28 AM
https://www.awn.com/news/mpc-film-mpc-episodic-and...
Technicolor Creative Studios has announced the integration of its VFX brands MPC Film, MPC Episodic, and MR X under Moving Picture Company (MPC), forming one of the world’s largest visual effects studios serving the global feature film and episodic market.
January 13, 2022, 08:37 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Much to the delight of devoted fans, the wonderfully self-absorbed Roy family are back. And what a whirlwind it’s been. For those of us working behind-the-scenes on HBO’s Succession, Season 3 has presented a host of new challenges.
January 13, 2022, 08:35 AM
https://postperspective.com/subtitlenext-v-5-11-tr...
PBT EU has released a new iteration of its SubtitleNext solution, Version 5.11, which offers subtitling, captioning and localization specialists with an array of updated toolsets. SubtitleNext is designed to make the process easier for filmmakers and broadcasters, offering flexible software that offers a seamless in-house network to share live output across multiple different production teams on a world-wide scale. Continue reading → January 12, 2022 The post SubtitleNext V.5.11: Translate Aud...
January 13, 2022, 08:35 AM
https://www.redsharknews.com/passing-uses-43-for-s...
Passing uses vintage anamorphic lenses to frame a 4:3 image. Roland Denning takes a look at the film, and asks why we still strive for that perfect vintage look.
January 12, 2022, 08:42 AM
https://postperspective.com/framestores-complex-vf...
January 12, 2022, 08:41 AM
https://www.provideocoalition.com/how-to-answer-wh...
One question that I saw pop up on a lot of Internet forums and Facebook groups last year (and some already this year) had to do with moving “projects” from one non-linear editing system to another. Usually it was some version of moving Adobe Premiere Pro to Avid Media Composer or vice versa but sometimes [...]Read More... from How to answer when someone asks you to move a project from Avid to Premiere Pro (or vice versa)
January 11, 2022, 08:45 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Netflix’s The Power of the Dog is a feature about a charismatic rancher, who inspires fear and awe in those around him. When Phil Burbank’s brother brings home a new wife and her son, he torments them until he finds himself exposed to the possibility of love.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.