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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DigitalGlue’s Creative.Space intros all-Flash 1R

May 24, 2018, 12:18 PM

http://postperspective.com/digitalglues-creative-s...

Creative.Space, a division of DigitalGlue that provides on-premise managed storage (OPMS) as a service for production and post companies, broadcast networks, has added the Breathless system to its offerings. The product will make its debut at Cine Gear in LA next month. The Breathless Next Generation Small Form Factor (NGSFF) media storage system offers 36 front-serviceable NVMe SSD bays in 1 RU. Continue reading → May 24, 2018 The post DigitalGlue’s Creative.Space intros all-Flash 1R...

4 Secret Weapons for Mixing Metal in Avid Pro Tool

May 24, 2018, 12:18 PM

http://www.avidblogs.com/4-secret-weapons-for-mixi...

The post 4 Secret Weapons for Mixing Metal in Avid Pro Tools appeared first on Avid Blogs.

Sound editor/re-recording mixer Will Files joins S

May 23, 2018, 04:41 PM

http://postperspective.com/sound-editor-re-recordi...

Sony Pictures Post Production Services has added supervising sound editor/re-recording mixer Will Files, who has spent a decade at Skywalker Sound. His brings with him credits on more than 80 feature films, including Passengers, Deadpool, Star Wars: The Force Awakens and Fantastic Four. Files won a 2018 MPSE Golden Reel Award for his work on War for the Planet of the Apes. Continue reading → May 23, 2018 The post Sound editor/re-recording mixer Will Files joins Sony Pictures Post appear...

Nashville Filmmakers Guild Post-Production Worksho

May 23, 2018, 04:22 AM

https://www.provideocoalition.com/nashville-filmma...

The Nashville Filmmakers Guild is more than just a Facebook group. It’s an active organization in and around Nashville , Tennessee that has spent the last several years doing many different things: The Great NLE Debate, the Camera Debate, #Setlife Roles as well as workshops on lighting, VR 360, shooting film, the business side of filmmaking and many others. StoryGive was a way for filmmakers to give back by giving a weekend of their time to make a film for a non-profit.

2018 Creative Storage Conference – Update

May 22, 2018, 05:53 PM

http://lappg.com/2018-creative-storage-conference-...

The Entertainment Storage Alliance announces a session on digital archiving and preservation at the 2018 Creative Storage Conference. The Twelfth Annual Creative Storage Conference (CS 2018) will be held Thursday June 7, 2018 at the DoubleTree Hotel West Los Angeles in Culver City, CA. Following is information on this session: Preserving Digital Content—the Challenges, Needs, […] The post 2018 Creative Storage Conference – Update appeared first on lappg.

VFX vet Andrew Bell Joins Method Advertising

May 22, 2018, 05:52 PM

http://postperspective.com/vfx-vet-andrew-bell-joi...

Long-time VFX executive Andrew Bell has joined LA-based Method Studios as senior EP/VP of its Advertising division. He will report to Method Advertising MD/EVP Stuart Robinson. Bell spent nearly two decades with MPC, first as a producer in London and then spearheading its initial foray into Los Angeles. When they expanded and relocated, Continue reading → May 22, 2018 The post VFX vet Andrew Bell Joins Method Advertising appeared first on Randi Altman's postPerspective.

Simple Split Screens for FCPX

May 22, 2018, 06:19 AM

https://fxfactory.com/blog/effects-2/simple-split-...

26 split screen templates that allow up to 6 clips to be played back simultaneously.

Framestore London adds joint heads of CG

May 21, 2018, 09:17 AM

http://postperspective.com/framestore-london-adds-...

Framestore has named Grant Walker and Ahmed Gharraph as joint heads of CG of its London studio. The two will lead the company’s advertising, television and immersive work alongside head of animation Ross Burgess. Gharraph has returned to Framestore after a two-year stint at ILM, where he was lead FX artist on Star Wars: The Last Jedi, Continue reading → May 21, 2018 The post Framestore London adds joint heads of CG appeared first on Randi Altman's postPerspective.

Technical Papers Preview: SIGGRAPH 2018

May 21, 2018, 05:11 AM

http://www.studiodaily.com/2018/05/technical-paper...

Get a glimpse of tomorrow’s CG VFX and animation techniques today with the latest out of SIGGRAPH — the new Technical Papers Preview video issued in advance of SIGGRAPH 2018. The post Technical Papers Preview: SIGGRAPH 2018 appeared first on Studio Daily.

Apple Compressor: Make the most of unused cores an

May 18, 2018, 01:27 PM

http://alex4d.com/notes/item/apple-compressor-spar...

If you have lots of video to transcode and tight deadlines, sometimes even Apple Compressor isn’t fast enough for the job. If you have a Mac with multiple cores and lots of RAM or a network of Macs going to spare, you can use this power to speed up video conversions and transcodes. Using more cores on your Mac If you have many CPU cores and enough RAM, you can have multiple copies (‘instances’) of Compressor run on your iMac or Mac Pro at the same time. Each copy works on a different...

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