It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 7, 2016, 08:13 AM
http://kyleesportfolio.com/blog/?p=1907
This summer, I launched the west coast chapter of the Blue Collar Post Collective, a grassroots nonprofit organization that seeks to support each other and emerging talent in post production. We have regular social meet-ups in Hollywood, and our first … Continue reading →
August 5, 2016, 12:13 PM
http://news.doddleme.com/blogs/post-production/pre...
A few lessons ago, we wrapped up talking about Clip-Based Parameters (part 1 and part 2), and how beneficial they are to your workflow. With that being said, it can become a big pain, in situations where you have to adjust Clip-Based Parameters across a bunch of clips, do have to double click on every one of them to make the change.
August 5, 2016, 11:33 AM
http://www.premierebro.com/weekinpr/week-in-premie...
THIS WEEK IN PREMIERE PRO: 10.4 Update for Premiere Pro CC • 3 Strategies for Hiding Jump Cuts • Troubleshooting Premiere Pro Projects • Create Custom LUTs for Lumetri Color panel
#premiere pro#update#luts#premiere gal#jarle leirpollAugust 4, 2016, 12:25 PM
http://www.digitalproductionbuzz.com/2016/08/trans...
GUESTS James DeRuvo Maxim Jago Laura Blum Scott Page Jonathan Handel Chris Bross The post Transcript: Digital Production Buzz – August 4, 2016 appeared first on Digital Production BuZZ.
August 4, 2016, 12:25 PM
http://www.avidblogs.com/how-to-re-color-and-motio...
The article How to Re-Color and Motion Track with the Paint Effect in Avid Media Composer by Brian Benoni appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
August 4, 2016, 09:26 AM
http://postperspective.com/panasas-intros-hybrid-s...
Storage company Panasas has introduced ActiveStor 20, the company’s latest generation hybrid scale-out NAS appliance. According to Panasas, it features a 65 percent increase in flash and a 25 percent increase in hard drive capacity. High-density flash drives and 10TB HGST Ultrastar He10 helium-based hard drives offer unstructured sequential file and mixed-workload performance with rapid access to both large and small files. Continue reading →August 4, 2016
August 4, 2016, 05:31 AM
http://www.digimediapros.com/augmented-reality-is-...
In this article, Philip Hodgetts makes a case that augmented reality is not only here, but it's here in a big way. He also compares and contrasts the differences between augmented reality and virtual reality.
August 4, 2016, 05:30 AM
http://www.redsharknews.com/business/item/3671-opi...
Clayton Moore argues that Apple should be implementing high dynamic range capability across its product lines (and, indeed, speculates that this may already be happening). AppleHDRHigh Dynamic RangedisplaysTelevisionsBusiness
August 3, 2016, 12:29 PM
http://boscpug.org/goldcrest-post-delivers-jason-b...
Goldcrest Post London used DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ “Jason Bourne,” in which Matt Damon returns to his most iconic role.
August 2, 2016, 11:43 AM
http://www.premierebro.com/blog/trumping-the-jump-...
STRATEGIES TO AVOID JUMP CUTS IN YOUR VIDEO. Too many pauses? Heaps of "ums"? This Premiere Gal blog post will teach you three editing strategies to "trump" your jump cuts or avoid them entirely.
#adobe#premiere pro#jump cut#morph cut#brill
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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