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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Think again, people. Think again. 

June 15, 2015, 12:41 PM

http://www.fastcompany.com/user/tina-seelig

A fascinating article writen by Tina Seelig on how a change of perspective can open doors to a new approach. The challenge for many is recognising there are other doors behind which exist alternative […]

tracking the locking linking metadata to essence:

June 13, 2015, 04:27 AM

https://blogs.creativecow.net/blog/13792/tracking-...

Within Avid, three pieces of metadata in each master clip, directing new DaVinci Resolve video essence with the "Relink Command" to point to the original Media Composer offline sequence metadata.

9 Must-Read Filmmaking Articles (June 2015)

June 11, 2015, 01:02 PM

http://www.premiumbeat.com/blog/9-must-read-filmma...

Find out what the industry is talking about with this collection of recent must-read filmmaking articles.

Michael Berenbaum, ACE on Incorporating a Pre-reco

June 11, 2015, 09:24 AM

http://manhattaneditworkshop.blogspot.com/2015/06/...

Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Berenbaum, ACE on "The Americans." From Sight, Sound & Story - June 14th, 2014. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.

Editing Zonda

June 11, 2015, 04:51 AM

http://www.saeditores.org/Notas-y-opiniones/Zonda-...

Una síntesis personal de la edición por sus artífices.

Marabout – bout de ficelle – selle de cheval

June 11, 2015, 04:51 AM

https://journaldunemonteuse.wordpress.com/2015/06/...

Projection de la V1 dans quelques jours. Je viens de « rabouter » (mise bout à bout) toutes les séquences de la 1 à la 107. C’est la première continuté. Pour moi également puisque j’ai monté dans l’ordre du tournage et donc dans … Lire la suite →

Kinetic Energy to Kinetic Typography

June 10, 2015, 04:14 PM

http://www.sternfx.com/blog/index.php/06-2015/kine...

In this tutorial I’ll show you how to create a short commercial for a fictional wind energy company by integrating type into a spinning wind turbine. We’ll use the spinning blades of the turbine to reveal the message and then “wipe” it away. To make it more energetic, we’ll also explode the text to tiny pieces with the help of the CC Pixel Polly effect.

Blackmagic offers upgrade to DeckLink 4K Extreme c

June 10, 2015, 11:01 AM

http://www.postmagazine.com/Press-Center/Daily-New...

FREMONT, CA — Blackmagic Design (www.blackmagicdesign.com) has released DeckLink 4K Extreme 12G - Quad SDI, a new mezzanine card that allows pros to connect older Ultra HD and 4K equipment that use quad link 3G-SDI connections to their computer through their existing DeckLink 4K Extreme 12G video capture and playback card. The DeckLink 4K Extreme 12G - Quad SDI mezzanine card is available for $75 from Blackmagic Design re-sellers worldwide.

Mick Audsley’s Editing Masterclass in Milan was

June 10, 2015, 11:00 AM

http://www.avidblogs.com/mick-audsley-editing-mast...

The article Mick Audsley’s Editing Masterclass in Milan was Packed with Students and Pros. Here’s What You Missed. by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Avid Media Composer 101, Part 7: Bin Settings

June 10, 2015, 10:58 AM

http://news.doddleme.com/blogs/post-production/avi...

In Avid Media Composer, Bins are at the core of your workflow. Moreso then in other NLE’s. Bins in Adobe Premiere Pro are infused in the project. Want to send someone your sequence bin? You have to send them your whole project. In Avid Media Composer, the project is simply a folder that holds all the individual bins, so you have access to them, plus send them to other editors, separately.

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