Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Change Your Storytelling with MUSE from StillMotio

June 1, 2015, 05:00 AM

https://www.hurlbutvisuals.com/blog/2015/06/muse-f...

Patrick Moreau and the STILLMOTION team are passionate and dedicated Storytellers. Shane and Patrick became fast friends when they both spoke on behalf of Canon a few years ago. What is exciting to us about their team is that through passionate collaboration, they constantly raise the bar and challenge themselves in a similar way to how we do it at Hurlbut Visuals.

Editor Ali Salloum Wins Best Editing Digital Studi

May 31, 2015, 08:37 AM

http://www.avidblogs.com/editor-ali-salloum-wins-b...

The article Editor Ali Salloum Wins Best Editing Digital Studio Award for ‘From A to B’ by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

The Editing of MAD MAX: Fury Road

May 31, 2015, 08:35 AM

http://vashivisuals.com/the-editing-of-mad-max-fur...

Film Editor Margaret Sixel was given over 480 hours of footage to create MAD MAX: FURY ROAD. The final edit ran 120 minutes and consisted of 2700 individual shots. That’s 2700 consecutive decisions that must flow smoothly and immerse the viewer. 2700 decisions that must guide and reveal the story in a clear and concise manner. One bad cut can ruin a moment, a scene or the whole film. No pressure!

The Editing of MAD MAX: Fury Road

May 31, 2015, 08:34 AM

http://vashivisuals.com/the-editing-of-mad-max-fur...

The film editing of MAD MAX: FURY ROAD is one of the primary reasons this action film is so successful. Learn how center framing works...

Susan Morse, ACE Discusses the Difficulty of Endin

May 30, 2015, 02:06 PM

http://manhattaneditworkshop.blogspot.com/2015/05/...

Susan Morse, ACE talks about "Annie Hall." From Sight, Sound, and Story on June 8th, 2013. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.

8 of The Best Resources for Avid Media Composer

May 30, 2015, 06:09 AM

http://tracking.feedpress.it/link/9766/1180182

Avid Media Composer set the world of non-linear editing on fire when the founder of Avid Technology Inc., Bill Warner, released Avid 1 at the National Association of Broadcasters (NAB) in April 1988. It was touted by Russell Evans in his book, Practical DV Filmmaking, as "the biggest shake-up in editing since Melies played around with time and sequences in the early 1900s."

New Fox Studios Building

May 29, 2015, 11:47 AM

https://vimeo.com/129236836

I had the pleasure of visiting the new Jeff Harlacker Production building at Fox Studios with Jeff Harlacker himself and thought I would share that with the world.Cast: Alan BellTags: Jeff Harlacker

Digital Juice Lifetime Membership Subscription Ser

May 29, 2015, 09:48 AM

http://www.studiodaily.com/2015/05/digital-juice-l...

Lake Mary, FL, May 29, 2015 – Today, Digital Juice announced the official opening of its much anticipated royalty-free creative content subscription service. This service gives filmmakers, motion graphics artists and graphic designers access to download anything in its huge … more » The post Digital Juice Lifetime Membership Subscription Service Launches Today appeared first on Studio Daily.

La última palabra: Reescrituras en la sala de mon

May 29, 2015, 03:42 AM

http://saeditores.org/Novedades/La-ultima-palabra-...

En el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI), la SAE en conjunto con la EDA organizaron la mesa redonda La última palabra: Reescrituras en la sala de montaje, con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.Organizado por las Comisiones de Festivales de la SAE y de Cultura de la EDA, el propósito del encuentro era discutir sobre las modificaciones que surgen en la...

KineMAX and KineMINI ISO and Rolling Shutter Tests

May 29, 2015, 03:39 AM

http://cinescopophilia.com/kinemax-and-kinemini-is...

KineMax at 3K (you can only set 3K or 6K in S35 Mode. 2K and 4K are available at M43 Mode – it's not Micro4m but anamorphic Mode)

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.