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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 Reasons to Go To Film School

September 17, 2015, 11:21 AM

http://www.indiewire.com/article/5-reasons-to-go-t...

There are excellent reasons to exchange two to five years of your life for a significant sum of money.

iPad Pro - Why is Bigger Better?

September 17, 2015, 11:21 AM

http://barefeats.com/ipadpro.html

If, like me, you are using your iPad as a laptop surrogate, then having a laptop size screen is a big advantage. The iPad Pro screen is bigger than the 12" MacBook Retina and as big as the 13" MacBook Air and 13" MacBook Pro Retina.

cadence removal 2:3:2:3, 2:2:2:4, 2:3:3:2, play 29

September 17, 2015, 04:31 AM

https://blogs.creativecow.net/blog/13879/cadence-r...

On the fly Avid cadence removal, achieve clean frame playback, prestine quality video.

NewTek TriCaster Advanced Edition Unlocks Powerful

September 16, 2015, 09:27 AM

http://www.videoguys.com/blog/streaming/newtek-tri...

With the first update release of their TriCaster Advanced Edition software (ver 1.5) Newtek is giving their TriCaster 460 & 860 customers an improved features set that until now required the TriCaster 8000. Even cooler, if you already own teh TriCaster Advanced Edition software, yoyu will get this and future upgrades for free.  This is Read More The post NewTek TriCaster Advanced Edition Unlocks Powerful Features appeared first on Videoguys Blog.

CrumplePop announce AutoBalance a $39 automatic wh

September 16, 2015, 09:27 AM

http://www.fcp.co/final-cut-pro/news/1718-crumplep...

After 10 days we are back at the column coalface with news from CrumplePop. They have just released an automatic white balancing plugin called AutoBalance. It's on special offer too.

AMD Radeon R9 Nano Review

September 16, 2015, 05:13 AM

http://www.digitaltrends.com/video-card-reviews/am...

Despite big promises for AMD’s Fury X flagship card, the actual performance fell short of what we were hoping for, and what the 980 Ti delivered at the same price point. The smaller sibling to the Fury X, the R9 Nano, lowers performance a bit in exchange for a smaller PCB, lower power usage, and quieter operation. It’s aimed squarely at Mini-ITX builders seeking 4K and VR performance in a small rig.

FCPX Now Supports XAVC-L and AVC-Intra 4:4:4 Nativ

September 16, 2015, 05:12 AM

http://www.4kshooters.net/2015/09/09/final-cut-x-n...

FCP X users will be more than happy and satisfied to known that the just released update of their favourite NLE now supports new additional flavours of Sony’s robust XAVC-L and the Panasonic’s AVC-Intra 4:4:4 codec, both in resolutions up to 4K. In other words, this means no longer any tedious transcoding of the Sony PXW-FS7‘s footage as the platform provides native real-time editing of these files up to 4K in 10-bit 4:2:2 at 113Mbps (3840 x 2160). The same applies for the Panasonic’s AV...

Avid Everywhere opens up Avid for Everyone!

September 15, 2015, 09:21 AM

http://www.videoguys.com/blog/video-editing/avid-e...

One of the biggest stories coming out of IBC this week is the evolution of Avid Everywhere into open standards and technologies that fully support other NLEs beyond Media Composer. Avid DNxIO, their new 4K I/O box; Avid ISIS, the breakthrough, low cost, affordable shared video storage solution; and their award winning Interplay|MAM asset management Read More The post Avid Everywhere opens up Avid for Everyone! appeared first on Videoguys Blog.

7 Considerations When Purchasing an Online Video T

September 15, 2015, 09:21 AM

http://aframe.com/blog/2015/09/7-considerations-wh...

The market for online video solutions can be confusing for the modern buyer. Especially for those who attended IBC in the hope of finding a solution to manage professional video. No doubt you’ll be returning home with a sore head from the myriad of vendors each pitching ‘revolutionary’ products – and not just the complementary... Read More

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