It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 15, 2015, 10:46 AM
http://www.premiumbeat.com/blog/mad-max-behind-sce...
To celebrate the release of Mad Max: Fury Road, let's take a behind-the-scenes look at the history of George Miller's explosive approach to filmmaking.
May 15, 2015, 10:44 AM
http://www.creativeplanetnetwork.com/news/post/jig...
For postproduction on filmmaker Alex Gibney’s HBO documentary Sinatra: All or Nothing at All, Technicolor PostWorks New York collaborated with Gibney’s production team and editors from Jigsaw New York. Airing on HBO as a four-hour miniseries, the film tells the story of Sinatra’s life and career leading up to his famous 1971 “retirement concert” in Los Angeles. Unusually, the documentary is composed almost entirely from archival material—there are no new on-camera interviews. Rather,...
May 15, 2015, 03:45 AM
https://journaldunemonteuse.wordpress.com/2015/05/...
Je scrute tes yeux. Sont-ils plus « parlant » ici ou là ? Que disent-ils ? A quoi penses-tu dans ce taxi ? Dois-tu être plus en colère ? moins en colère ? A quel endroit de la prise aurais-je le plus … Lire la suite →
May 14, 2015, 09:30 AM
http://www.aotg.com/index.php?page=getting_started...
We sat down for a chat with Misha Tenenbaum, owner of Editstock.com, a tool for students and young editors to develop their editorial skills. Misha is also an assistant editor in Los Angeles, for projects like American Horror Story, Wayward Pines, and Jobs. Misha joined us to discuss some key ideas and strategies for starting a successful career in the film business.
May 14, 2015, 09:29 AM
http://www.creativitypost.com/psychology/the_creat...
The Creative Life is full of new possibilities, discoveries, exploration, experimentation, self-expression, and invention. It’s a habit, a way of being, a style of existing. But is the Creative Life full of well-being?
May 14, 2015, 09:26 AM
http://www.creativebloq.com/digital-art/wacoms-lat...
Usually, a review is designed to help you know which from a range of competing products you should choose. That's not really the case here, however, because the Cintiq Companion 2 doesn't actually have any competitors.
May 13, 2015, 02:16 PM
http://www.creativeimpatience.com/look-at-my-video...
The days of using Vimeo or Dropbox for video review are very quickly coming to an end. True, it still works, and in many cases it is still free of charge, but the only thing that either of these two offers is the ability to play the uploaded video files … see more →
May 13, 2015, 02:15 PM
http://www.studiodaily.com/2015/05/avid-4k-finish/
In an effort to protect some of the last wild places in the world's oceans, National Geographic launched Pristine Seas, a series of expeditions and affiliated research to locate, assess and ultimately shelter those waters most at risk. The first … more » The post Charting a Course for an Avid 4K Finish appeared first on Studio Daily.
May 13, 2015, 09:25 AM
http://www.fcp.co/final-cut-pro/articles/1664-firs...
We all know about the workflow used on the feature film Focus. But what about the directors' next film that they are working on? Kevin Bailey gives an insight into how the Hollywood feature film Fun House is organising its footage in FCPX.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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