It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 19, 2017, 01:27 PM
http://www.youtube.com/watch?v=-rVX3kvvNu4
It's been an incredibily productive year at Avid. VENUE | S6L created a new standard in live sound. VENUE | S3L-X delivered world-class sound in a small package. Pro Tools 12 Accelerated audio innovation. Pro Tools | Dock empowered mixers to top into their creativity. Pro Tools | Control took full command of mixes with a touch. Pro Tools | MTRX achieved the highest sound quality possible. Pro Tools | S6 Post Module moved sound, and audiences. Sibelius gave composers new ways to create. A...
January 19, 2017, 10:26 AM
http://alex4d.com/notes/item/bbc-news-animation-us...
I visited BBC New Broadcasting House in central London last week with Iain Anderson. As we were being shown around the BBC News headquarters, we happened across an animator working on a piece about Trump's inauguration day. He was editing it in Final Cut Pro X with plugins created in Apple Motion 5, both commercial and custom. Iain and I gave him some tips in making plugins - including replicator sequence behaviours. He also showed us BBC-branded plugins he made for Final Cut Pro X title...
January 19, 2017, 06:22 AM
http://www.avidblogs.com/wholegrain/
The article Wholegrain is Living Proof that AAX is Home to the Most Unique and Powerful Plug-Ins by Ed Gray appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
January 19, 2017, 06:22 AM
http://alex4d.com/notes/item/google-intelligent-im...
PC magazine has written about a new Google technology that shows very good results in scaling up lower resolution stills to higher resolution: The new technique is called RAISR, which stands for "Rapid and Accurate Image Super-Resolution." [It] works by taking a low-resolution image and upsampling it, which basically means enhancing the detail using filtering. Anyone who's ever tried to do this manually knows that the end result looks a little blurred. RAISR avoids that thanks to mach...
January 19, 2017, 06:22 AM
https://journaldunemonteuse.wordpress.com/2017/01/...
Les roches sont riches, c’est une vraie ruche, les rushes…Classé dans:Carnet de notes
January 19, 2017, 06:20 AM
http://postperspective.com/colorful-dimensions-ama...
By Randi Altman How do you describe Amazon’s Mozart in the Jungle? Well, in its most basic form it’s a comedy about the changing of the guard — or maestro — at the New York Philharmonic, and the musicians that make up that orchestra. When you dig deeper you get a behind-the-scenes look at the back-biting and crazy that goes on in the lives and heads of these gifted artists. Continue reading → January 18, 2017 The post The colorful dimensions of Amazon’s Mozart in the Jungle ap...
January 19, 2017, 06:20 AM
http://www.studiodaily.com/2017/01/colorist-dan-he...
Colorist Dan Hermelin has joined post-production facility Roundabout Entertainment in Burbank. Dan Hermelin Previously at Deluxe, Hermelin has been working on restoration and remastering projects for studios including Sony, MGM and Disney, as well as on animation for Netflix and … more » The post Colorist Dan Hermelin Stops at Roundabout appeared first on Studio Daily.
January 19, 2017, 06:14 AM
http://www.chrisjonesblog.com/2017/01/seven-editor...
We are in the final stages of fine cutting ‘Seeing Him’, a short film written, produced by and starring Vanessa Bailey. I have stepped into the directors shoes after my good friend Catherine Arton stepped down as director, entrusting me to finish her good work. I have already spent time working with our hugely experienced editor Chris Frith but wanted a fresh opinion.
January 19, 2017, 06:14 AM
https://blogs.creativecow.net/blog/14530/how-to-sa...
OK, we're a stock footage company. But one of the reasons we built this is because we saw it coming. The "it" is what's actually happening now in commercial and non-commercial videos - aerial shots. And not just Helicopter shots, but drone stock shots. You can tell by the height on most shots and the "pep" of them.
January 19, 2017, 06:14 AM
https://blogs.creativecow.net/blog/14527/after-eff...
COW Blogs : Brinder Singh Gera's Blog : After Effects Tutorial: Reveal Title/ Lower Third
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.