To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Using Adobe Stock in Design Workflows
July 7, 2015, 04:41 PM
http://blogs.adobe.com/tonyharmer/2015/07/07/using...
In June this year along with the arrival of CC2015, we announced the arrival of Adobe Stock, a marketplace offering 40 million high-quality, curated photos and graphics to use in your projects, that is tightly integrated with Creative Cloud libraries. There are subscription plans available, from £19.99/mo (plus VAT) for Creative Cloud subscribers—that’s a whopping 40% off the regular subscription price—and you can of course just purchase single images on an as-needed basis too. Let’...
Emmy Award for Harlem Globetrotters documentary cu
July 7, 2015, 05:06 AM
http://www.fcp.co/final-cut-pro/articles/1693-emmy...
The news of Emmy Award winning shows cut on Final Cut Pro X keep on coming in. This time, The Game Changers…How the Harlem Globetrotters Battled Racism won a NYC award in the category of “Nostalgia Programming”.
Lady in a Cage (1964)
July 7, 2015, 05:05 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“You’re here. That’s what you done.” — Randall Simpson O’Connell The year was 1964, and a simmering unease was spreading across the United States. The Cuban Missile Crisis, the testing of nuclear weapons by the superpowers of the time, the assassination of John F. Kennedy, the B...
Summer Movies: 'Terminator Genisys'
July 7, 2015, 05:05 AM
http://www.postmagazine.com/Publications/Post-Maga...
MPC Film (www.moving-picture.com) spent a year producing visual effects for the new Terminator Genisys film, but the studio’s involvement dates back even further. MPC and its VFX supervisor Gary Brozenich had worked with Terminator Genisys VFX producer Shari Hanson on Lone Ranger, and she once again turned to the studio to help fulfill a vision for the big screen.
PreVis: Edit 1
July 7, 2015, 05:03 AM
http://www.postmagazine.com/Post-Blog/2015/July/Pr...
In the world of test commercials, all components of a job were once considered "disposable." Today, with agencies and brands focused on smarter and more creative ways of working, companies like Edit 1, traditionally known for our animatic/previs work, are now being utilized as creative partners throughout the entire production process. The result has found our 15-year-old studio taking the 3D animation we created as part of a test commercial and bringing it to completion for the broadcast versio...
After Effects Hidden Gems: Cleaning Up Projects
July 6, 2015, 04:44 PM
http://www.provideocoalition.com/after-effects-hid...
An After Effects project can fill up quickly with unused items as we try out different sources an ideas. This leaves it in less than ideal condition when it comes time to hand it off to another user, or to archive it for later retrieval. Fortunately, there’s a submenu in After Effects which helps automate cleaning up and archiving a project: File > Dependencies.
Read the article by the Editor’s Guild about my
July 6, 2015, 04:44 PM
http://www.bobbieosteen.com/2015/07/read-the-artic...
Click here.
Telestream Wirecast Software Used in the Extreme S
July 6, 2015, 01:01 PM
http://www.videoguys.com/blog/streaming/telestream...
We love reading stories about our products being used in real broadcast environments so when the Extreme Sailing Series selected Wirecast to stream live HD content to their viewers we were really excited. Using Telestream Wirecast, the event’s organizers stream live HD content from each race over their dedicated YouTube channel. To further enhance the Read More The post Telestream Wirecast Software Used in the Extreme Sailing Series appeared first on Videoguys Blog.
Workflow Tip: Use DaVinci Resolve To Translate Pro
July 6, 2015, 09:26 AM
http://www.premiumbeat.com/blog/workflow-tip-use-d...
DaVinci Resolve is best known for color grading, but it's also great for translating project files from multiple software platforms. Here's how it's done!
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.