To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
BFE’s Michael Johns Cut Above Award for Outstand
March 4, 2021, 01:51 PM
http://wordpress.quintessentialstudios.net/?p=970
This Friday, March 5, 2021, the British Film Editors will be holding their inaugural annual Cut Above Awards. (which can be watched here: https://www.britishfilmeditors.co.uk/awards) As part of their first awards ceremony, they are including the Michael Johns Cut Above Award for Outstanding Assistant Editor and the Chris Crookall Cut Above Award for Breakthrough Editor. These [...]
Review: Postlab Drive
March 4, 2021, 01:51 PM
https://www.provideocoalition.com/review-postlab-d...
Let’s talk about Postlab again. You know Postlab, the cloud-based post-production collaboration tool that I have reviewed here on PVC as well as talked with the creators during our NAB-AT-HOME coverage. One thing we’ve touched on in these articles but haven’t delved into very deeply is Postlab Drive. At its most simple, Postlab Drive is [...]Read More...
VEGAS Stream: live streaming at an affordable pric
March 3, 2021, 01:04 PM
https://www.provideocoalition.com/vegas-stream-liv...
With the new VEGAS Stream, VEGAS Creative Software delivers professional caliber live streaming integrated with VEGAS Pro for post production workflow. Developed in partnership with NewBlue, VEGAS Stream aims to serve the needs of content creators and broadcasters for multiple market categories, including the B2B market for corporate events, marketing and online team meetings; education [...]Read More...
EditCon 2021
February 28, 2021, 05:34 PM
https://cceditors.ca/2021/02/23/editcon-2021-event...
EditCon 2021 EditCon 2021 in Review In the editing room, everything is new. Jinmo Yang, ACE Editor, PARASITE The CCE took the 4th annual EditCon online with two days of amazing panel talks, virtual breakout rooms, and networking for over two hundred attendees from Canada and around the world. Presented under the theme “Shifting World, Shifting […] The post EditCon 2021 appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
ART OF THE CUT with Michelle Tesoro, ACE on editin
February 24, 2021, 02:08 PM
https://www.provideocoalition.com/aotc-tesoro/
Today I’m talking with Michelle Tesoro, ACE about editing The Queen’s Gambit. She edited The SXSW Grand Jury Prize-winning feature film Natural Selection, which earned her the 2011 SXSW Award for Best Editing. She also edited the feature film On the Basis of Sex among others. Her editing of TV series includes Netflix’s Emmy-nominated series [...]Read More...
The Visible Art of Editing with Thelma Schoonmaker
February 23, 2021, 01:56 PM
https://www.premiumbeat.com/blog/visible-editing-t...
Learn more from Martin Scorsese’s longtime editor Thelma Schoonmaker, and why sometimes you want your audience to notice your cuts.
Sundance Q&A: Jockey Editor Parker Laramie
February 23, 2021, 01:56 PM
https://postperspective.com/sundance-qa-jockey-edi...
Having its premiere at Sundance this year, Jockey is a story about an aging horse jockey confronting the end of his career, dealing with threats to his legacy and some of his final chances to do what he loves most. It was directed by(who co-wrote with Greg Kwedar) shot by cinematographer Adolpho Veloso and edited by Parker Laramie, Continue reading → February 22, 2021 The post Sundance Q&A: Jockey Editor Parker Laramie appeared first on postPerspective.
Historical film colors: A guest entry from Barbara
February 23, 2021, 01:55 PM
http://www.davidbordwell.net/blog/2021/02/21/histo...
Kristin here: To the general film-going public, old films are in black-and-white. They may be vaguely aware that before The Wizard of Oz and Gone with the Wind, color film was invented. The history of film color, however, is vastly more complicated than that. Prof. Barbara Flueckiger, of the University of Zurich, has devoted much […]
SCREEN INDUSTRY DRINKS – VIC
February 22, 2021, 01:47 PM
https://www.screeneditors.com.au/screen-industry-d...
MEET THE WINNERS! PART 1 – ZOOM
February 22, 2021, 01:47 PM
https://www.screeneditors.com.au/meet-the-winners-...
Meet the Winners! is back, and it's on Zoom so that ASE Members from around Australia can attend. Log in to hear 2020 Ellie Award winners chat about their award-winning projects and their careers so far. The line-up for Part 1 is: Deborah Peart ASE - Best Editing in Comedy winner for 'Upright'. Simon Callow-Wright - Best Editing […]
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